An <b>extraordinary novel, with an extraordinary heroine</b>. Laila is a sharp observer of the tumultuous politics, and the cultural, racial, and religious conflicts of the dying days of the Raj. There is such richness here, waiting to be rediscovered

- Monica Ali,

As if one had parted a curtain, or opened a door, and strayed into the past . . . <b>Hosain's greatest strength lies in her ability to draw a rich, full portrait of her society</b> - ignoring none of its many faults and cruelties

- Anita Desai,

A <b>masterful examination</b> of class, culture, family and women's lives set against the backdrop of Partition

- Kiran Millwood Hargrave,

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The deftness with which Attia Hosain handles the interplay of manners, class, culture and different forms of female power is gorgeously done . . . <b>Laila is such a remarkable heroine - sharp, spirited and passionate</b>

- Kamila Shamsie,

Despite <i>Sunlight on a Broken Column</i> being sixty years old, this book is still so relevant, for its themes of privilege, patriarchy, and the effects of Empire. It deftly handles themes that in lesser hands could feel heavy, and delivers a<b> beautiful story that leaves a lasting impression</b>.

- Saima Mir,

BY ONE OF THE MOST INFLUENTIAL INDIAN WRITERS OF THE TWENTIETH CENTURY'The deftness with which Attia Hosain handles the interplay of manners, class, culture and different forms of female power is gorgeously done . . .' KAMILA SHAMSIE'An extraordinary novel, with an extraordinary heroine' MONICA ALI'A masterful examination of class, culture, family and women's lives set against the backdrop of Partition' KIRAN MILLWOOD HARGRAVE 'My life changed. It had been restricted by invisible barriers almost as effectively as the physically restricted lives of my aunts in the zenana. A window had opened here, a door there, a curtain had been drawn aside; but outside lay a world narrowed by one's field of vision.'Laila, orphaned daughter of a distinguished Muslim family, is brought up in her grandfather's traditional household by her aunts, who keep purdah. At fifteen she moves to the home of her 'liberal' but autocratic uncle in Lucknow. As the struggle for Independence sharpens, Laila is surrounded by relatives and university friends caught up in politics, but she is unable to commit herself to any cause: her own fight for independence is a struggle against tradition. With its stunning evocation of India, its political insight and unsentimental understanding of the human heart, Sunlight on a Broken Column is a classic of Muslim life.Attia Hosain published only two books, but her writing has influenced generations of writers. Discover Phoenix Fled, Hosain's acclaimed short-story collection, also published in Virago Modern Classics.
Les mer
Sunlight on a Broken Column is an unforgettable coming-of-age story set against the turbulent background of Partition.
INTRODUCED BY KAMILA SHAMSIE'My life changed. It had been restricted by invisible barriers almost as effectively as the physically restricted lives of my aunts in the zenana. A window had opened here, a door there, a curtain had been drawn aside; but outside lay a world narrowed by one's field of vision'Laila, orphaned daughter of a distinguished Muslim family, is brought up in her grandfather's household by her aunts, who keep purdah. At fifteen she moves to the home of her 'liberal' but autocratic uncle in Lucknow. As the struggle for Independence sharpens, Laila is surrounded by relatives and university friends caught up in politics, but she is unable to commit herself to any cause: her own fight for independence is a struggle against the confines of tradition.With its stunning evocation of India, its political insight and unsentimental understanding of the human heart, Sunlight on a Broken Column first published in 1961, is a classic of Muslim life.'Laila is such a remarkable heroine - sharp, spirited and passionate . . . The deftness with which Attia Hosain handles the interplay of manners, class, culture and different forms of female power is gorgeously done' Kamila Shamsie
Les mer
An extraordinary novel, with an extraordinary heroine. Laila is a sharp observer of the tumultuous politics, and the cultural, racial, and religious conflicts of the dying days of the Raj. There is such richness here, waiting to be rediscovered
Les mer
An extraordinary novel, with an extraordinary heroine. Laila is a sharp observer of the tumultuous politics, and the cultural, racial, and religious conflicts of the dying days of the Raj. There is such richness here, waiting to be rediscoveredAs if one had parted a curtain, or opened a door, and strayed into the past . . . Hosain's greatest strength lies in her ability to draw a rich, full portrait of her society - ignoring none of its many faults and crueltiesA masterful examination of class, culture, family and women's lives set against the backdrop of PartitionThe deftness with which Attia Hosain handles the interplay of manners, class, culture and different forms of female power is gorgeously done . . . Laila is such a remarkable heroine - sharp, spirited and passionateDespite Sunlight on a Broken Column being sixty years old, this book is still so relevant, for its themes of privilege, patriarchy, and the effects of Empire. It deftly handles themes that in lesser hands could feel heavy, and delivers a beautiful story that leaves a lasting impression.
Les mer

Produktdetaljer

ISBN
9780349014470
Publisert
2021
Utgiver
Vendor
Virago Press Ltd
Vekt
300 gr
Høyde
196 mm
Bredde
126 mm
Dybde
34 mm
Aldersnivå
00, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
384

Forfatter
Introduction by

Biographical note

Attia Hosain (1913-1998) was born in Lucknow and educated at La Martiniere and Isabella Thoburn College. She blended an English liberal education with that of a traditional Muslim household where she was taught Persian, Urdu and Arabic. She was the first woman to graduate from among the feudal 'Taluqdari' families into which she was born.

Influenced in the 1930s by the nationalist movement and the Progressive Writers' Group in India, she became a journalist, broadcaster and writer. In 1947, she moved to England and presented her own women's programme on the BBC Eastern Service for many years, and appeared on television and the West End stage. She is the author of Phoenix Fled (1953) and Sunlight on a Broken Column (1961).