With worldwide, seismic shifts taking place in both the contexts and terrains of universities, and subsequently the altering of what it means to write as an academic and work in academia, the editors and contributors use writing to position and re-position themselves as academics, thinkers and researchers.

Chapter 1. Stepping into the flow... Li(f)ve decomforting academic writing: smooth and striated spaces for being becoming performances; Anne B. Reinertsen and Louise M. Thomas.- Chapter 2. Territories and categories of academic writer: Possibilitising through the act/art of writing; Louise M. Thomas.- Chapter 3. The end of criticism producing unconscious: Non-personal academic writing; Anne B. Reinertsen.- Chapter 4. Editing academic writing: Productive erosion and erosive processes; Felicity McArdle.- Chapter 5. Being ourselves, naming ourselves, writing ourselves: Indigenous Australian women disrupting what it is to be academic within the Academy; Bronwyn Fredericks and Nereda White (with Sandra Phillips, Tracey Bunda, Marlene Longbottom and Debbie Bargallie).- Chapter 6. Academic writing from the depths: An auto-ethnographic and organisational account; Agnes Bosanquet.- Chapter 7. Working with text(ures) in academia: Be fast, even while standing still!; Ninni Sandvik, Ann SofiLarsen, Nina Johannesen and Bente Ulla.- Chapter 8. Making sense of reflexivity: A post-humanistic account; Nina Lunkka and Katja Sutela.- Chapter 9. Becoming a technical female: Academic writing in the cube farm; Melissa Gregg.

“This book is a breath of writing-fresh-air. Written with freedom and courage, and curated with imagination and energy, the book’s contributors invite the reader to think and write otherwise. They conjure new possibilities for writing as they consider its place within, beyond, and in resistance to, the academy. At once lyrical and political, theoretical and raw, this gorgeous collection is a welcome, urgent, vital intervention.” (Professor Jonathan Wyatt, University of Edinburgh, UK)“This book fulfills a much needed gap in research about the complexity of academic identity construction. By exploring the notions of writing as performance, different perspectives come to light to show the ever changing landscapes academics navigate as they move between multiple roles and shifting contexts.” (Professor Susanne Garvis, University of Gothenburg, Sweden)

Uses writing to examine what it means to write as an academic and work in academia Analyses responses to the shifting contexts university of universities Theorizes multiple identity constructions of academic/writer/researcher