<p>‘Reading a Penelope Fitzgerald novel is like being taken for a ride in a peculiar kind of car. Everything is of top quality – the engine, the coachwork and the interior all fill you with confidence. Then, after a mile or so, someone throws the steering-wheel out of the window.’ Sebastian Faulks</p> <p>‘Wise and ironic, funny and humane, Fitzgerald is a wonderful, wonderful writer.’ David Nicholls</p> <p>‘A book which delights, amuses, disturbs and provokes reflection, in equal measure. It is a triumph of craftmanship, intelligence and sensibility.’ Scotsman</p> <p>‘Contains more wit, intelligence and feeling than many novels three times its length.’ Observer</p> <p>‘Formidable… no writer is more engaging than Penelope Fitzgerald.’ Spectator</p> <p>‘Penelope Fitzgerald writes books whose imaginative wholeness and whose sense of what language can suggest is magical. Whichever way you twist the lens of this kaleidoscopic book, you see fresh things freshly.’ Evening Standard</p> <p>‘The book is short and full of activity. The story moves swiftly in unexpected directions. It is inspiring, funny and touching.’ LRB</p> <p>‘Gilbert could have written this and Sullivan set it to music. It shows an Edwardian university at Cambridge at its eccentric best. There are so many characters that are a delight. So many foibles and so much fancifying. Fitzgerald is the only author I know who regularly gets reviews pleading her to write longer books.’ Daily Mail</p>
Produktdetaljer
Biographical note
Penelope Fitzgerald was one of the most elegant and distinctive voices in British fiction. Three of her novels, The Bookshop, The Beginning of Spring and The Gate of Angels have been shortlisted for the Booker Prize. She won the Prize in 1979 for Offshore. Her last novel, The Blue Flower, was the most admired novel of 1995, chosen no fewer than nineteen times in the press as the ‘Book of the Year’. It won America’s National Book Critics’ Circle Award. She died in April 2000, at the age of eighty-three.