A visionary architect from Iraq gets well-deserved attention in Winter's new picture-book biography about a woman of courage whose ideas and persistence influenced the world. Zaha Hadid, a native of Baghdad, grows up admiring nature and patterns. She designs her own clothes, wonders at the ruins in her homeland, and dreams of designing cities. "Zaha has ideas." Zaha studies math, then leaves home to study architecture in London. She then sets to work planning and designing what the world has never seen: buildings conceived after the shapes and patterns of nature. Working past the initial rejection and discrimination she faces, Zaha grows her firm from one room to an entire building. Eventually, her designs are built all over the world. Her architects continued "making models of her visions" even after her death, which is gently portrayed in this book for young readers. The illustrations in this portrait are fresh and spare, highlighting the concepts behind Zaha's designs. As in Winter's other picture books, the use of color, shape, and pattern in the artwork pairs beautifully with the straightforward text to tell this intriguing story. The text makes a delightful read-aloud, and it's engaging enough to grab the attention of independent readers as well. This powerful biography is a boon for all children and is particularly valuable for children outside of the mainstream who have large visions and dreams of their own. (author's note, sources.) (Picture book/biography. 5-10
- Kirkus, STARRED REVIEW, 6/15/17
Even as a child, Zaha Hadid was fascinated by the landscapes and ruins of her native Iraq, seeing patterns in them she later repeated in her urban designs. Her unusual ideas prompted her to study architecture in London and eventually open Studio 9, an office in which she and her colleagues designed unconventional buildings that epitomized her mantra, âThe world is not a rectangle.â Despite criticism and setbacks, Hadidâs belief in the impossible led to commissions to design a museum, an opera house, a stadium, and even a ski jump, which incorporated their surrounding landscapes into the core of their structures. When she died in 2016, Hadid had the distinction of being the only woman to receive both the Pritzker Prize and the Royal Gold Medal for her inventive sense of design. From its catchy title to the clear depiction of its extraordinary subject, this book will appeal to elementary students, particularly those craving daring role models. The simple text flows as easily as Hadidâs ideas, and Winterâs painterly acrylic illustrations are its perfect complement, bringing to life a rather stern artist intent on realizing her artistic visions against all odds. Art teachers can use the endpapersâ portrayals of Hadidâs unusual structures to help students create their own landscape-inspired designs, and mention of her Iraqi heritage could prompt discussions on global artists. VERDICT Ripe with ties to curricula, this is a great choice for art and Âbiography collections.
- School Library Journal, July 2017
Direct quotations from Iraqi-British architect Zaha Hadid pepper this spare but engrossing biography from Winter (<i>Nanuk the Ice Bear</i>). After moving quickly through Hadidâs childhood, highlighting her fascination with local ârivers and marshes and dunes and ruins,â Winter devotes several pages to her remarkable designs: âtall buildings dancing like grassâ (the Signature Towers of Dubai), âan opera house like the pebbles in the waterâ (Chinaâs Guangzhou Opera House), and others. The undulating shapes and milky colors of Winterâs images emphasize the connections between the structures and their natural inspirations, and Hadidâs commitment to her designs features prominently: â<i>Hadid </i>means <i>iron </i>in Arabic, and Zaha is strong as iron,â writes Winter as Hadid fixes readers with a steely gaze. Itâs a stirring reminder of how far nontraditional thinking and dedication to oneâs ideals can take a person.
- Publishers Weekly *STARRED REVIEW, July 3, 2017
Iranian architect Zaha Hadid drew inspiration for her designs from the natural world, which she famously<br /> <br />stated âis not a rectangle.â As a result, her buildings swoop, curve, twist, and flow. Winter opens with an<br /> <br />overview of Zahaâs childhood and education, paying particular attention to the ruins, deserts, and marshes<br /> <br />she visited with her father during her youth, because these are the sites that sparked her passion for design<br /> <br />and her unique style. Winter does an excellent job of utilizing double-page spreads to link several of<br /> <br />Zahaâs famous buildings with the object or vista upon which they were modeled. A simple seashell<br /> <br />transforms into a sports stadium; marsh grasses inspire a cluster of kinked apartment towers; the galaxyâs<br /> <br />whirling stars are reflected in a buildingâs curves and swirls. Winterâs illustrations utilize cool pastel tones<br /> <br />and seamlessly integrate Zahaâs buildingsâand later her fashion and furniture designsâwith nature,<br /> <br />perfectly reflecting the architectâs organic design philosophy. Readers will also come away with a firm<br /> <br />sense of Zahaâs tenacity and determination as she refuses to be held back by her ethnicity, gender, or<br /> <br />unconventional ideas. The book closes with a guide to the buildings featured in the story, noteworthy<br /> <br />quotes from Zaha, and a short bio. A fantastically crafted picture-book biography on a woman deserving of<br /> <br />recognition.<br /> <br /><i>â Julia Smith</i>
- Booklist *STARRED REVIEW, July 2017
As a child growing up in Baghdad in the 1950s and 1960s, Zaha Hadidâs love for math allowed her to see the world through a unique lens; she observed carpet patterns (seeing how the âshapes and colors flow into each otherâ), dreamed of ancient ruins, and observed nature. Her creative thoughts inspired her to become an architect, and she went on to design extraordinary and unusual structures: âZahaâs designs donât look like other designs. Her buildings swoosh and zoom and flow and fly.â Winter quotes Hadid as saying, âThe beauty of the landscapeâ where sand, water, reeds, birds, buildings, and people all somehow flow togetherâhas never left me,â and Winterâs rich-hued, multilayered illustrations visually unite readers with the spirit of Hadidâs architectural creations. A series of spreads shows the artist at work while holding or viewing natural-world or cultural objects, juxtaposed with images of the structures she created that were<br /> inspired by those objects, whether suggesting shape, form, or color (âZaha looks at stones in a stream and builds an opera house like the pebbles in the waterâ). Once again, Winter (The Librarian of Basra, rev. 1/05; Nasreenâs Secret School, rev. 11/09) opens the door for younger children to read about an innovative and strong woman who inspired others in her field and worked tirelessly to make her vision become a reality. Back matter includes a pictorial list of Hadidâs structures, sources, and a brief authorâs note.
- The Horn Book Magazine, September/October
Winter introduces Iraqi- born, British-educated Zaha Hadidâthe first woman to be awarded architectureâs prestigious Pritzker Prizeâwho a century later would bring elements from nature (reed bundles, half-opened shells, waves, spiral galaxies) and drop their outsized iterations into sites throughout Asia and Europe. [The] illustrations reflect the designs of their [subject]... [and incorporate] the architectâs imagination at play alongside actual buildings come to life....also supplies a list of resources and closing author notes.
- BCCB, September 2017