<p>âThe stories range in tone from the fanciful to the absurd to the philosophical. What they have in common is brevityâBianchi âcouldnât afford to make extended long-distance phone callsââand a subversive quality that would seem to reflect the authorâs communist leanings ... All sorts of imaginative leaps take place in this handsome bookâ âWall Street Journal</p>
"There are a lot of stories to love in this Italian export. Rodari is a master storyteller; his imagination knows no bounds from runaway noses, buildings made of ice cream, magical carousels, and an elevator to the stars. Each story is thoughtful and well constructed as Rodari plays delightfully with different themes." âSchool Library Journal
"Gianni Rodari is considered the most innovative Italian children's writer of the 20th century. His countless stories and rhymes tend to end well, but in the teeth of evidence. Telephone Tales offers 68 of them ably translated by Antony Shugaar with illustrations by Valerio Vidali... For Rodari, the children's story is always an act of generosity which favors a process of initiation and liberation." âThe London Review of Books
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Biographical note
The Italian Author Gianni Rodari wrote many beloved children's books and was awarded the prestigious Andersen Prize. But he was also an educator of paramount importance in Italy and an activist who understood the liberating power of the imagination. He is one of the twentieth centuryâs greatest authors for children, and Italy's greatest. Influenced by French surrealism and linguistics, Rodari stressed the importance of poetic language, metaphor, made-up language, and play. At a time when schooling was all about factual knowledge, Rodari wrote The Grammar of Fantasy, a radically imaginative book about storytelling and play. He was a forerunner of writing techniques such as the "fantastic binomial" and the utopian, world engendering "what if...." The relevance of Rodariâs works today lies in his poetics of imagination, his humanist yet challenging approach to reality, and his themes, such as war and peace, immigration, injustice, inequality, and liberty. Forty years after his death, Rodariâs writing is as powerful and innovative as ever. He died in Rome in 1980.
Valerio Vidali is an Italian illustrator of children's books. His book Jemmy Button (Templar/Candlewick, 2013), co-authored with Jennifer Uman, was a New York Times Best Illustrated Book of 2013. His book The Forest, co-illustrated with Violeta LopĂz was published by Enchanted Lion in 2018.
Antony Shugaar is a writer and translator, working out of Italian and French. He once interviewed the creator of Topo Gigio.Â