* "Frazee’s controlled palette of subdued golds, browns, and grays offers a fitting backdrop for the hard-working farmer foregrounded in this wordless tale. . . . A swiftly moving circus train on the horizon introduces color and an unexpected visitor, when a bump on the tracks ejects a young clown. Exuberance meets quiet responsibility as the whirlwind in a red one-piece, the small clown, embraces the legs of the old man. . . . This is a tender look at light and shadow, the joy and comfort in companionship, the lift that laughter provides, and the friendship possible among generations (and species). The poignant relationship calls to mind the quiet potency of scenes in Raymond Briggs’s The Snowman (Random, 1978) and Sarah Stewart’s The Gardener (Farrar, 2007). Lovely."