After years of self-imposed exile from a civilization rife with degradation and indecency, cynical journalist Spider Jerusalem is forced to return to a job that he hates and a city that he loathes. Working as an investigative reporter for the newspaper The Word, Spider attacks the injustices of his surreal 21st Century surroundings. Combining black humour, life-threatening situations, and moral ambiguity, Warren Ellis's legendary series is the first look into the mind of an outlaw journalist and the world he seeks to destroy. This new trade paperback re-cut series features behind the scenes material, variant covers and scripts from the graphic novel series run. Collects issues #1-12.
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Combining black humour, life-threatening situations and moral ambiguity, Warren Ellis legendary series is the first look into the mind of an outlaw journalist and the world he seeks to destroy. This new trade paperback recut series features behind-the-scenes material, variant covers and scripts from the graphic novel series run.
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"Trasmet is brilliant future-shock commentary." --Spin "Warren Ellis and Darick Robertson take a Hunter S. Thompson analogue and put him through a 23rd century wringer. It's angry political sci-fi and it's funny as hell." --Playboy
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In a future where consumerism, superficiality and corruption reign supreme, outlaw journalist Spider Jerusalem has decided to stop sitting by idly and watching the world crumble around him. Back in the saddle, no one in The City is safe.
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Produktdetaljer

ISBN
9781401287955
Publisert
2019
Utgiver
Vendor
DC Comics
Høyde
259 mm
Bredde
168 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
320

Biographical note

Warren Ellis is a comics and graphics novel writer best known for the graphic novel series Transmetropolitan, Planetary and The Authority. With over thirty-five graphic novels in print, Ellis has received numerous acclaims including Winner of the International Horror Guild award for graphic narrative and being named one of Entertainment Weekly's 100 Most Creative People. Rolling Stone described his work as, more influenced by Jesus and Mary Chain than by the Justice League, while his characters fight for left-wing agendas over God and country, and kick puppies in the street.