A clairvoyant of the small...Walser has been my constant companion

- W. G. Sebald,

If he had hundred thousand readers, the world would be a better place

- Hermann Hesse, winner of the Nobel Prize in Literature,

"Kleist in Thun" and "Helbling's Story" show him at his dazzling best

- J.M. Coetzee, winner of the Nobel Prize in Literature,

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A truly wonderful, heartbreaking writer

- Susan Sontag,

An essential writer of our time

- Elias Canetti, winner of the Nobel Prize in Literature,

The future will see Walser as a true literary representative of our age

- Max Brod,

A major twentieth-century prose artist...he sounds like nobody else

- Benjamin Kunkel, New Yorker

A writer of considerable wit, talent and originality

New York Times

His perception extended past sensory limits. He elevated the significance of the everyday

Bookslut

One of the greatest German-language writers of the twentieth century

- Juan José Saer,

Walser was one of those individuals who stand at a slight angle to the world: first impressions suggest words like quirky, or surreal. But, if anything, his art was a beautifully sane challenge to the systematic assault on the subjective and quotidian that was already grinding away when he entered the madhouse. In an age that found it possible to diagnose the inner life as a sticky mass of tics and neuroses, Walser became a polite but stubborn champion of an everyday life in which psyche may play a central role, but pathology is not necessarily a given.

- John Burnside,

The stories of a man in love with the world, but unable to take part in it

Economist Intelligent Life

A kind of grown-up fairy tale. His style is both direct and colloquial yet also poetic in its simplicity.

- Lesley McDowell, Sunday Herald

Walser is an original. The book's centrepiece, "Kleist in Thun" is at once a deft literary portrait, a vivid piece of nature writing, and an autobiographical insight into Robert Walser's own mental fragility. All in all, it is as beautiful and moving a story as I have ever read.

Independent on Sunday

Walser left a curiously brilliant and utterly original corpus of work, whose wry surrealism is reminiscent of Kafka, Beckett and indeed John Lennon ... a masterpiece

- Alfred Hickling, Guardian

Ranging from one-page fantasies to novella-length studies of everyday existence, The Walk reveals the irresistible genius of one of the twentieth century's greatest writers. Under-appreciated even in his own lifetime, Robert Walser has nonetheless been recognised by such writers as W.G. Sebald, Susan Sontag, Franz Kafka, Herman Hesse and J.M. Coetzee. Like Kafka and Sebald, Walser wrote about the solitude and unease of human existence. Honest, wry and idiosyncratic, his stories are snapshots of the lives great artists, poor young men, beautiful women and talking animals alike. Ranging from the realist to the allegorical, the short fiction collected in this volume demonstrates Walser's uncanny ability to capture both life's strangeness and its small joys.
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One of the great works of European short fiction, by turns funny, reflective and profound
One of the great works of European short fiction, by turns funny, reflective and profound

Produktdetaljer

ISBN
9781846689581
Publisert
2013-05-02
Utgiver
Vendor
Serpent's tail
Vekt
156 gr
Høyde
196 mm
Bredde
126 mm
Dybde
14 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
208

Forfatter

Biographical note

Robert Walser was born in Switzerland in 1878 and worked as a bank clerk before becoming a writer. In 1929 he started hearing voices, was diagnosed as schizophrenic and - like his contemporary Ezra Pound - lived the rest of his life in a psychiatric hospital, where he continued to write. His novels include Jakob von Gunten (published by Serpent's Tail as Institute Benjamenta - 9781852425050) and The Assistant. He died in 1956.