Nothing like <i>Vertigo</i> is likely to be encountered in the course of one's regular reading. One emerges from it shaken, seduced, and deeply impressed
Spectator
Where has one heard in English a voice of such confidence and precision, so direct in its expression of feeling, yet so respectfully devoted to "the real"?
Times Literary Supplement
Possessed of a richness and strangeness that would put most other writers to shame. Sebald's journey into himself and his past is compelling, puzzling, unique
The Times
As a reader, you find his prose wrapping itself, wraith-like, round your imagination, casting a baffling and indefinable spell.it works triumphantly well. The fact that W.G. Sebald chooses to tease, dazzle and mystify should not blind us to the fact that he does the one thing that every novelist should do: he entertains, provokes, stimulates and inspires
Observer
‘Nothing like Vertigo is likely to be encountered in the course of one's regular reading. One emerges from it shaken, seduced, and deeply impressed’ Anita Brookner, Spectator
What could possibly connect Stendhal's unrequited love, a series of murders by a clandestine organisation, the Great Fire of London, a story by Kafka and a closed-down pizzeria in Verona? Part fiction, part travelogue, the narrator of Sebald’s compelling masterpiece pursues his solitary, eccentric course from England to Italy and beyond, succumbing to the vertiginous unreliability of memory itself.
‘As a reader, you find his prose wrapping itself, wraith-like, round your imagination, casting a baffling and indefinable spell… [Sebald] entertains, provokes, stimulates and inspires’ Robert McCrum, Observer