Given Grass's close involvement with this new translation, it is fair to call this the definitive version of arguably the most important German novel of the post-war era.

Observer

Grass published his milestone of postwar literature 50 years ago, and the event is being celebrated with new translations<i>...</i>Mitchell's excellent translation reveals the novel as a timeless masterpiece.

The Times

At the ages of fourteen and fifteen, I had read <i>Great Expectations</i> twice - Dickens made me want to be a writer - but it was reading <i>The Tin Drum</i> at nineteen and twenty that showed me how. It was Günter Grass who demonstrated that it was possible to be a <i>living</i> writer who wrote with Dickens' full range of emotion and relentless outpouring of language. Grass wrote with fury, love, derision, slapstick, pathos - all with an unforgiving conscience.

New York Times Book Review

Se alle

Funny, macabre, disgusting, blasphemous, pathetic, horrifying, erotic, it is an endless delirium, an outrageous phantasmagoria in which dust from Goethe, Hans Andersen, Swift, Rabelais, Joyce, Aristophanes and Rochester dances on the point of a needle in the flame of a candle that was not worth the game

Daily Telegraph

Encountering <i>The Tin Drum</i> in the early sixties was like discovering a new planet, a reinvention of literature. It brings the exhilaration of discovery, linked with an enormous gratitude for the way in which Günter Grass makes the world a worthwhile place to be in, and living a worthwhile thing to do. He has forever pushed back - and opened up - our concept and awareness of what is real, and what is possible, and what we dare to dream about.

André Brink

WITH A NEW FOREWORD BY THE AUTHOR On his third birthday Oskar decides to stop growing. Haunted by the deaths of his parents and wielding his tin drum Oskar recounts the events of his extraordinary life; from the long nightmare of the Nazi era to his anarchic adventures is post-war Germany.
Les mer
WITH A NEW FOREWORD BY THE AUTHOROn his third birthday Oskar decides to stop growing. Haunted by the deaths of his parents and wielding his tin drum Oskar recounts the events of his extraordinary life; from the long nightmare of the Nazi era to his anarchic adventures is post-war Germany.
Les mer
Given Grass's close involvement with this new translation, it is fair to call this the definitive version of arguably the most important German novel of the post-war era.
Grass's landmark novel in a stunning new translation and with a new foreword by the author

Produktdetaljer

ISBN
9780099540656
Publisert
2010
Utgiver
Vendor
Vintage Classics
Vekt
438 gr
Høyde
198 mm
Bredde
129 mm
Dybde
30 mm
Aldersnivå
01, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet

Forfatter
Oversetter

Biographical note

Günter Grass (1927–2015) was Germany’s most celebrated post-war writer. He was a creative artist of remarkable versatility: novelist, poet, playwright, essayist, graphic artist. Grass’s first novel, The Tin Drum, is widely regarded as one of the finest novels of the twentieth century, and he was awarded the Nobel Prize for Literature in 1999.