Produktdetaljer
Biographical note
GauZ' is an Ivorian author, journalist and screenwriter. After studying biochemistry, he moved to Paris as an undocumented student, working as a security guard before returning to the Côte d'Ivoire. His first novel, Standing Heavy, came out in 2014 and won the Prix des libraires Gibert Joseph, and was followed by Comrade Papa, which won the 2019 Prix Éthiophile, and Black Manoo. GauZ' is the editor-in-chief of the satirical economic newspaper News & co, and has written screenplays and documentary films. Frank Wynne is an award-winning writer and translator. His previous translations include works by Virginie Despentes, Javier Cercas, Mathias Énard, Michel Houllebecq and Pierre Lemaitre. He chaired the jury of the 2022 Booker International. Most recently his translation of The Art of Losing won the 2022 Dublin Literary Award.<b>Beautifully written</b> from the point of view of a Black, Marxist security guard, <i>Standing Heavy</i> is <b>one of those rare, transformative novels</b>. Beware: it might make your next shopping trip somewhat trickier
- KARIM MISKE,
A<b> funny and poignant </b>intergenerational tale of three Ivoirian men newly arrived in Paris. And <b>a sharp social and political commentary</b>, delivered via the sharp eyes of the black security guards that white Paris relies on to keep itself safe.
- TIFFANY TSAO, author of The Majesties and translator of International Booker-longlisted Happy Stories, Mostly
<i>Dura lex sed</i>... <i>dura</i>! The harsh standing life of an immigrant. A pataphysical ethnography of the consumer society written by an undocumented anthropologist with an <b>exemplary critical humour</b>
- ALBERTO PRUNETTI, author of Down and Out in England and Italy
This <b>inventive and very funny</b> debut novel offers a whistle-stop, whizz-bang tour of Franco-African history
Guardian
<b>T</b><b>his compact, humane satire,</b> deftly translated by Frank Wynne, <b>entertains as much as it informs.</b>
- Lucy Popescu, Financial Times
<b>I ended up laughing out loud </b>
Huffington Post
Gauz castigates the excesses of our society with a <b>humorous </b>first novel in which <b>political satire takes on airs of a poetry slam </b>
Stylist (France)
<b>Brutal</b>, <b>fierce </b>and often awkward, <b>this little book will feel like a body search </b>
Lire
<b>An alert, offbeat and indispensable book</b>
La Nouvelle Vie Ouvrière
<b>A cunning observer and a disenchanted protestor, Gauz makes shopping an ethnological mine, a priceless sketch and a combat sport </b>
Elle
<b>What an eye! </b>Gauz saw everything, observed everything, analysed everything during his experiences as a security guard. He takes a dive in time and into the territory of the Ivorians of Paris. The whole French immigration policy emerges through this book . . . <b>Fresh and witty</b>
L'Express
<b>A powerful book </b>
Huma
<b>Full of hilarious observations </b>
Le Figaro
A <b>formidable </b>keenness of observation and a <b>sarcastic </b>wit
La Croix
A <b>tender and ironic</b> look at our consumer society
Marie-France
Gauz honours the sufferings, pitfalls and joys of the African community in Paris, by painting a grotesque portrait of our consumer society
Pèlerin
Gauz casts a <b>tender, yet lucid </b>gaze on the African community. By devoting a book to the shadowy men of security, <b>Gauz finally gives voice and life to those who, oddly enough, are invisible </b>
Le Matricule des Anges
Under the guise of fun, the author shows the pathos of the buying fever in the West, mixing the madness of the sales with the history of Ivorians in Paris
Nouvel Observateur
No-one is spared in <b>this biting, satirical account of cosmopolitan life</b>
- Conrad Landin, New Internationalist