Produktdetaljer
Biographical note
Named one of Variety’s “10 Storytellers To Watch,” Matthew Baker is the author of the story collections Why Visit America and Hybrid Creatures and the children’s novel Key Of X, originally published as If You Find This. Digital experiments include the temporal fiction “Ephemeral,” the interlinked novel Untold, the randomized novel Verses, and the intentionally posthumous Afterthought, along with the cyber zine Code Lit.<p>“I was left in awe.”<br /> <b>— Tiana Clark, author of <i>I Can’t Talk About The Trees Without The Blood</i><br /> </b><br /> “This is a perfect book.”<br /> <b>— Lydia Conklin, author of <i>Rainbow Rainbow</i></b></p> <p>“There’s a moment in <i>The Sentence</i>—that I wouldn’t dare spoil—when the reader’s commitment to this literary challenge is rewarded with the sensation of floating away on a cloud. It is sublime.”<br /> <b>— Jac Schaeffer, writer and creator of <i>WandaVision</i><br /> </b><br /> “In <i>The Sentence</i>, Matthew Baker has once again rewired my brain… Baker’s work evokes the thrill of discovery in <i>Choose Your Own Adventure</i> books, immersive theater, and Calvino’s hidden architectures.”<br /> <b>— Simon Han, author of <i>Nights When Nothing Happened</i><br /> </b><br /> “Matthew Baker’s writing can only be described in the many <i>yets</i> it creates: humorous yet disturbing, gripping yet patient, timely yet timeless. In <i>The Sentence</i>, Baker offers a precise, visionary story of survival and community told in the form of a sentence diagram. On its surface a dystopian cautionary tale, this novella is a startling reflection on language, trust, and desperation in the face of fascism. This is Baker’s most exciting work yet.”<br /> <b>— Isle McElroy, author of <i>The Atmospherians</i> and <i>People Collide</i><br /> </b><br /> “<i>The Sentence</i> is a captivating magic trick… Lovers of Raymond Queneau’s <i>Exercises in Style </i>and Shelley Jackson’s <i>Patchwork Girl</i> and Julio Cortázar’s <i>Hopscotch</i> will find themselves relieved to discover that rampant, expansive, and daring experimentalism is alive and well in the work of Matthew Baker.”<br /> <b>— Rita Bullwinkel, author of <i>Headshot</i> and <i>Belly Up</i><br /> </b><br /> “A beautiful tribute.”<br /> <b>— Gabriel Mascaro, writer and director of <i>Divine Love</i></b></p> <p>“A knife-edge thriller, a crystalline schematic, and a piercing character study... Prepare to be changed.”<br /> <b>— Sam Ross, author of <i>Company</i></b></p> <p>“A novel that is as inventive as it is incisive… This is a book that can be consumed one sitting, but that will stick with a reader long after its last clause.”<br /> <b> — Allegra Hyde, author of <i>Eleutheria </i>and<i> The Last Catastrophe</i><br /> </b><br /> “Matthew Baker’s <i>The Sentence</i> is a masterful and deviously elegant display of the choices that are made in constructing a work of art and how these choices reveal the construction of consciousness in systems that can both entrap and liberate us, linguistically, interpersonally, politically. This book is a pleasure and an accomplishment, one that I plan on marveling at and enjoying again and again.”<br /> <b>— Mary South, author of <i>You Will Never Be Forgotten</i><br /> </b><br /> “Never before have I felt so powerfully the drama of syntax. This book is a marvel… yet another thrilling innovation from the mad laboratory of Matthew Baker.”<br /> <b>— Chris Bachelder, author of <i>The Throwback Special</i><br /> </b><br /> “The most ingenious piece of writing I’ve ever read.”<br /> <b>— Zoé Wittock, writer and director of <i>Jumbo</i></b></p> <p> </p> <p>"Baker's mind is thrilling... <i>The Sentence</i> is a book of astonishing invention."</p> <b>— Claire Luchette, author of <i>Agatha Of Little Neon</i></b>