Produktdetaljer
Biographical note
Sarah Waters, who was born in Wales, has been described as 'one of the best storytellers alive today' (Matt Thorne, Independent), and there can be no doubt that readers and critics alike have been gripped by her extraordinary imagination. Sarah Waters' first novel, Tipping the Velvet, won a Betty Trask Award, and was shortlisted for the Mail on Sunday/John Llewellyn Rhys Prize. Her next novel, Affinity, won the Somerset Maugham Award and the Sunday Times Young Writer of the Year Award while Fingersmith and The Night Watch were both shortlisted for the Man Booker Prize and the Orange Prize. The former also won the CWA Ellis Peters Dagger Award for Historical Crime Fiction and the South Bank Show Award for Literature. The Little Stranger was shortlisted for the Man Booker Prize in 2009 and The Paying Guests was shortlisted for the Baileys Prize in 2015. Tipping the Velvet, Affinity, Fingersmith and The Night Watch have all been adapted for television, The Little Stranger was adapted as a film by Lenny Abrahamson, and Fingersmith inspired Park Chan-wook's film, The Handmaiden. Sarah Waters has been named Author of the Year five times: by the British Book Awards, The Booksellers' Association, Waterstone's Booksellers, Glamour Magazine Awards and the Stonewall Awards. In 2019 she was awarded an OBE for services to literature.<b>Absolutely brilliant</b>
Sunday Times
<b>Another wild ride of a novel . . . magnetic storytelling</b>
Observer
<b>A page-turning melodrama and a fascinating portrait of London on the verge of great change</b>
Guardian
<b>This novel magnificently confirms Sarah Waters's status as an unsurpassed fictional recorder of vanished eras and hidden lives</b>
Sunday Times, Fiction Book of the Year
I raced through it, breathing fast and when I had finished had to reread parts of the wonderful early chapters. I don't like historical novels but this is the exception. I shall let a few months go by and then read it all over again with, I'm sure, undiminished pleasure
Guardian
You know you are in the hands of a skilful, confident writer when you read a Sarah Waters book. She slowly reels you in. <b>She weaves plots and themes that creep up and entangle you while you are innocently following her characters.</b> They go about their shadowy business and by the time you raise your head from the page to take a breath, you're hooked
Telegraph
<i>The Paying Guests </i>demonstrates the writerly qualities for which Waters is esteemed, proving as 'fantastically moody and resonant', in terms of the rendering of domestic space, as a novel the author herself described as such and which she once said she would like to have written: Daphne du Maurier's <i>Rebecca</i>
Literary Review
<b>Sickeningly tense - and thumpingly good</b>
Daily Mail
<b>You will be hooked within a page</b> . . . At her greatest, Waters transcends genre: the delusions in <i>Affinity</i> (1999), the vulnerability in <i>Fingersmith</i> (2002), the undercurrents of social injustice and the unexplained that underlie all her work, take her, in my view, well beyond the capabilities of her more seriously regarded Booker-winning peers. But <i>The Paying Guests</i> is the apotheosis of her talent; at least for now. I have tried and failed to find a single negative thing to say about it. Her next will probably be even better. Until then, read it, Flaubert, Zola, and weep
Financial Times
A nod towards <i>Little Dorrit</i> also seems perceptible in the book's quiet ending amid the bustle and clamour of London. Unillusioned but tentatively hopeful, it is a beautifully gauged conclusion to <b>a novel of ambitious reach and triumphant accomplishment</b>
Sunday Times
<b>A masterpiece of social unease</b> . . . It isn't so much the plot that makes you read on - the novel's armature is a comparatively uncomplicated suspense narrative but barnacled to it is an astonishing accretion of detail . . . A virtuoso feet of storytelling
Evening Standard
<b>A seductive thriller</b>
Vanity Fair
<i>The Paying Guests</i> is so <b>evocative and compelling</b> that all the time I was reading, I had a feeling it was me who had done something terrible, instead of her characters
Observer, Books of the Year
Brilliantly involving . . . <b>juicy, beautifully observed and not afraid to be explicit</b>
Metro
<b>Waters's page-turning prose conceals great subtlety</b>. Acutely sensitive to social nuance, she keeps us constantly alert . . . From a novelist who has been shortlisted for the Booker three times, this is a winner
The Economist (Intelligent Life)
<b>An uninterruptable joy of a novel . . . Sarah Waters at her tip-top best</b>
Evening Standard, Books of the Year
<b>Sumptuous... The writing is impeccable... A joy in every respect</b>
New Statesman, Books of the Year
<b>A triumph: spellbinding, profound and almost problematically addictive</b>... Waters is so powerful a narrator, so in command of her material as she twists, defies and confronts without using cheap tricks, that she could make us believe anything... Morally complex, atmospheric, romantic and psychologically deep, <i>The Paying Guests</i> is an astonishing achievement... a beautiful and brilliant work by a consummate storyteller
Sunday Express
A sumptuously subdued story of making do and getting by after the great war
Guardian
<i>The Paying Guests</i> reminded me just how clever it is to create characters that captivate through their adventures in a world so well-realised that you can almost reach out and touch it
Sunday Herald
Super gripping... There is a huge momentum to this story
Evening Standard
Waters is acutely alive to the way domestic interiors can mirror psychological ones... I read the topsy turvey courtroom denouement with genuine wonder at the virtuosity of its unravelling, the emotional subtlety of its implications about how people linger in others. Such intelligence is indeed thrilling
Telegraph
She gives us a poignant love story which symbolically sees in the death of the old order, the death of the old fashioned husband and maybe the birth of an era of love without secrets
Independent
The novel's remarkable depth of field - from its class-ridden background to its individuals' peccadilloes - is sharply portrayed by an author writing at her best. Waters's 20-20 vision perceives the interior world of her characters with rare acuity in a prose style so smooth it pours down the page in a book to be prized
Scotland on Sunday
Waters is an absolute master of pulse-pounding historical fiction
Entertainment Weekly
Waters has always been attracted to sensationalist plots, and this novel progresses through at least two: a secret love affair between two women and a murder trial. But the novel is really about tiny changes in feeling, often evoked in gorgeous simile
New Yorker
You open <i>The Paying Guests</i> and immediately surrender to the smooth assuredness of Sarah Waters's silken prose...<b> A novel that initially seems as if it might have been written by E.M. Forster darkens into something by Dostoevsky or Patricia Highsmith</b>. It also becomes unputdownable... a seriously heart-pounding roller-coaster ride
Washington Post
<b>A tour de force of precisely observed period detail and hidden passions</b>
Wall Street Journal
Waters masterfully weaves true crime, domestic life and romantic passion into <b>one of the best novels of suspense since <i>Rebecca</i></b>... diabolically clever... with one of the hottest sex scenes ever to be set in a scullery
Los Angeles Times
Weaves her characteristic threads of historical melodrama, lesbian romance, class tension, and sinister doings into a fabric of fictional delight that alternately has the reader flipping pages as quickly as possible, to find out what happens next, and hesitating to turn the page, for fear of what will happen next
Boston Globe
<b>A gold mine of period detail, from class snobbery to sex - but with timeless urgency when it comes to love </b>
Vogue
An exquisitely tuned exploration of class in post-Edwardian Britain - with really hot sex... Waters is a master of pacing, and her metaphor-laced prose is a delight... until the last page, the reader will have no idea what's going to happen
Kirkus (starred review)
An absorbing character study [and] expertly paced and gripping psychological narrative... Waters brings historical eras to life with consummate skill, rendering authentic details into layered portraits of particular times and places
Publishers Weekly (starred review)
<b>Raunchy, romantic and thoroughly entertaining... Another triumph for Sarah Waters</b>
Express
A pulse-pounder of a novel that feels personal and raw even while it delivers the genre goods... <b>Waters remains a master of her genre</b>, the historical novel rewritten as a dissection of the individual conscience... undeniably fascinating
Chicago Tribune
A beautifully observed tale of murder, suspense, crumbling class distinctions and steamy lesbian love in post-Edwardian London
People
<b>A delicious hothouse of a novel</b>... There's palpable tension from page one, so buckle up and prepare for a wild ride... channels the past via E.M. Forster, Dickens and Tolstoy, quickened with a dollop of contemporary Dennis Lehane noir
USA Today
Pitch perfect... powered by queer longing, defiant identity politics, and lusty, occasionally downright kinky sex
Slate
Three novels for the price of one... a meticulously observed comedy of awkward manners, a story of torrid, forbidden trysts conducted behind a façade of conventional feminine respectability, and a tense tale of crime, mystery and suspense that culminates in a nail-biting courtroom drama
Salon
<b>Moody and atmospheric... keeps you guessing until the very end </b>
Library Journal
Waters is a gifted storyteller with a way of bringing historical eras to life... With the swiftly shifting mores of post-war British society as a backdrop, she once again provides a singular novel of psychological tension, emotional depth and historical detail
BookPage
Gripping... Sarah Waters is, quite simply, a marvelous writer... with complete mastery over her material
Globe and Mail
It has the pacing of a thriller, and the atmosphere, period setting and class-consciousness of truly informed historical fiction
Bay Area Reporter
With the intricate plotting of Dickens and the gothic textures of the novels of the Bronte sisters, Waters blurs the lines of Victorian fiction by bringing the hidden sexual world into the light, reframing erotic secrets in marvels of pseudo-Victorian crafting... exquisite
Australian
A heart-crushing... utterly engrossing tale
Toronto Star