Winner of the Icelandic Literature Prize Chosen by the booksellers of Iceland as the best novel of 2015 Longlisted for the National Translation Prize 2019 "This is epic literature." — Jón Gnarr, author of The Indian “Sigurdsson is without a doubt one of the best writers of his generation.” — Frettabladid “Icelandic humour mixed with fantasy and historical facts, Öræfi is a rare find. This novel proves that Ófeigur Sigurðsson is one of the most noteworthy and original authors of his generation.” — Fríða Björk Ingvarsdóttir / Víðsjá culture program, Radio 1, Iceland “But the novel certainly inherits Thomas Bernhard’s style of reports of reports of reported speech, leading to sentences like the following which closes the first section, much as mathematical brackets close a formula . . . Highly recommended and one to watch in the 2019 Best Translated Book Awards.” — The Mookse & The Gripes “It’s a brilliant, ecstatic, hallucinatory arabesque consisting of nested tales of decreasing reliability and increasing self-awareness—all centering upon this blasted Icelandic emptiness where having or knowing anything seems only barely possible, where one glimpses the struggle to verify the contents of the world in bleakest terms.” — David Searcy, The Literary Hub “Part adventure, part history, and part madness! Sigurdsson’s nested rant of a narrative swept the literary awards in his native Iceland and is now one of the best books translated into English this year. and the winner is…ORAEFI: THE WASTELAND!!!!” — Keaton Patterson, Brazos Book Buyer’s Book of the Year Awards "A bold and startling novel." — Viv Groskop, The Guardian "A bold and startling novel." — Viv Groskop, The Guardian “Stunning novel . . . What follows is a collection of Icelandic stories, realist and mythic, historical and fictional, nestled inside an epic adventure. It is at once a history of place, and a man’s intensely personal journey through the elements of the land, and of his own mind. A delightfully complex play on the epistolary novel, the narration of Öræfi is layered, at times coming to us through five or six levels of character interpretation.” — The Arkansas International “Amazing storytelling, plotting, perfect recursive structuring, just compulsively readable. . . I thought I’d put in a word today for the book from Deep Vellum that is completely rocking my December days! take a chance! It’ll change your perspective!” — John Darnielle, The Moutain goats “Sigurðsson takes on such a variety of moods and modes that he acts as a kind of ventriloquist, allowing an enormous variety of literature to speak through him. And it is wildly entertaining, this book. It’s both playful and deeply researched, bleak and yet hearty—like a pub full of friends clinking glasses just before the end of the world. Except the friends are all PhDs. And the pub is a gigantic igloo. And the end of the world is an April Fools’ Day prank.” — Katherine Coldiron, Carolina Quarterly “Go buy it! it’s worth reading.” — Three Percent “Readers who are willing to yield to Öræfi, to open themselves to the unpredictable, will find in these pages one of the most vivacious, most ferociously inventive novels available in any language today.” — Alec Dewar, Splice “Easy to summarize, but impossible to explain Oraefi is a strange amalgamation of explorer’s tale, travelogue, historical fiction, collection of dramatic monologues, and celebration of place names. Ostensibly the story of a scholar who nearly dies while exploring a wasteland in Iceland, the story meanders through multiple layers and narrators like a stream flowing from the glacier to the forest to the sea. It’s a wild ride, unlike anything you’ve read.” — Staff pick by bookseller Josh Cook Porter Square Books “Öraefi: The Wasteland is an insane, swaggering beast of a novel that incorporates everything from volcanoes to feral sheep to death metal in a tale that literally defies the imagination. It’s a rollicking, sui generis quest story brought to English in all its idiosyncratic complexity by Lytton Smith’s stellar translation.”—Keaton Patterson, Brazos Bookstore (Houston, TX)

Galleys mailing to all major review outlets as well as alternative review sources in summer 2017 Introduction & blurb requests targeting prominent literary and cultural figures such as Sjón, Jón Gnarr, David Mitchell, Ben Fountain, Merritt Tierce, David Searcy Embassy of Iceland in DC and their Consulates in local markets to sponsor events with translator and author events in the US planned for festivals, bookstores, and universities throughout 2017 & 2018 Serial rights targeting The Paris Review, The New Yorker, The Guardian, Literal Magazine, Texas Monthly, Gulf Coast, McSweeney’s, The White Review; One Story, Guernica, Tin House, Words Without Borders, Asymptote Print publicity targeting literary journals and newspaper book sections Promotion on LibraryThing, Goodreads, Riffle, and other social reading websites Promotion on the publisher's website (deepvellum.org), Twitter feed (@deepvellum), and Facebook page (/deepvellum) Promotion in the publisher’s e-newsletters for weeks and months surrounding release Promotion at publisher's booth at the Association of Writers and Writing Programs Conference (AWP), American Library Association Conference, Modern Languages Association Convention, Texas Book Festival, Brooklyn Book Festival, the American Literary Translators Association Conference, Book Expo America, Dallas Book Festival, and Bay Area Book Festival. Publicity targeting The New Inquiry, The Millions, Full-Stop, The Nervous Breakdown, HTMLGIANT, Three Percent, The Literary Saloon, the Quarterly Conversation, and more Print and digital advertising in select literary journals and magazines and on their websites, such as Words Without Borders, Asymptote, World Literature Today, Literary Hub, Granta, The Rumpus, The White Review, A Public Space, Little Star, The Coffin Factory, Vol. 1 Brooklyn, Electric Literature, Music & Literature, and others