<b>Praise for Georges Simenon:</b><br /><br />“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —<i>The Guardian</i><br /><br /> “These Maigret books are as timeless as Paris itself.” —<i>The Washington Post<br /></i><br /> “The matchless French crime novelist.” —Adam Gopnik, <i>The New Yorker</i><br /><br /> “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —<i>People</i><br /><br /> “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner<br /><br /> “An astute observer of human nature, writing in a spare and vivid style.” —Amor Towles<br /><br />“I never read contemporary fiction–with one exception: the works of Simenon.” —T.S. Eliot<br /><br /> “A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré<br /><br /> “One of the most important writers of our century.” —Gabriel García Márquez<br /><br /> “A favorite writer of mine.” —Sigrid Nunez<br /><br />“A great writer of detail, of atmosphere.” —Leïla Slimani<br /><br />“Feels incredibly modern…A great writer.” —Ian Rankin<br /><br /> “The greatest of all, the most genuine novelist we have had in literature.” —André Gide<br /><br /> “A supreme writer . . . Unforgettable vividness.” —<i>The Independent</i> (London)<br /><br /> “Superb . . . The most addictive of writers . . . A unique teller of tales.” —<i>The Observer</i> (London)<br /><br /> “Compelling, remorseless, brilliant.” —John Gray<br /><br /> “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark<br /><br /> “A novelist who entered his fictional world as if he were a part of it.” —Peter Ackroyd<br /><br /> “Extraordinary masterpieces of the twentieth century.” —John Banville<br /><br />"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ―<i>Times</i> (London)<br /><br />"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ―Margaret Atwood<br /><br />"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ―<i>Financial Times</i><br /><br />"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn." ―Stig Abell, <i>The Sunday Times</i> (London)

'Compelling, remorseless, brilliant' John Gray 'At what point in the day could the note have been slipped into his pocket, his left breast pocket?It was an ordinary sheet of glazed squared paper, probably torn out of an exercise book. The words were written in pencil, in a regular handwriting that looked to him like a woman's.For pity's sake, ask to see the patient in room 15.'When Inspector Maigret's wife falls ill on their seaside holiday, a visit to the hospital leads him on an unexpected quest to find justice for a young girl.This novel has been published in previous translations as No Vacation for Maigret and A Summer Holiday.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent
Les mer
A local scandal intrudes on Maigret's seaside holiday in book twenty-eight of the new Penguin Maigret series. At what point in the day could the note have been slipped into his pocket, his left breast pocket? It was an ordinary sheet of glazed squared paper, probably torn out of an exercise book.
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Praise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “The matchless French crime novelist.” —Adam Gopnik, The New Yorker “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “An astute observer of human nature, writing in a spare and vivid style.” —Amor Towles“I never read contemporary fiction–with one exception: the works of Simenon.” —T.S. Eliot “A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré “One of the most important writers of our century.” —Gabriel García Márquez “A favorite writer of mine.” —Sigrid Nunez“A great writer of detail, of atmosphere.” —Leïla Slimani“Feels incredibly modern…A great writer.” —Ian Rankin “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.” —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ―Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ―Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ―Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn." ―Stig Abell, The Sunday Times (London)
Les mer
There is no rest for Inspector Maigret when his seaside holiday leads him to a troubling discovery

Produktdetaljer

ISBN
9780141980744
Publisert
2016
Utgiver
Vendor
Penguin Classics
Vekt
157 gr
Høyde
198 mm
Bredde
129 mm
Dybde
12 mm
Aldersnivå
01, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
208

Forfatter
Oversetter

Biographical note

Georges Simenon was born in Liège, Belgium, in 1903. He is best known in Britain as the author of the Maigret novels and his prolific output of over 400 novels and short stories have made him a household name in continental Europe. He died in 1989 in Lausanne, Switzerland, where he had lived for the latter part of his life. Ros Schwartz is an award-winning translator from French. Acclaimed for her new version of Antoine de Saint-Exupéry's The Little Prince, published in 2010, she has over 100 fiction and non-fiction titles to her name. The French government made Ros a Chevalier de l'Ordre des Arts et des Lettres in 2009, and in 2017 she was awarded the Institute of Translation and Interpreting's John Sykes Memorial Prize for Excellence.