[Okri’s] writing takes on the great riddles of existence – freedom and consciousness, truth and illusion, suffering and transcendence – spinning them into shimmering, allegorical texts
New York Times
A writer who refuses to stop asking the hardest questions
New York Times
Okri can distil language to its essence... his sentences have a careful simplicity, but not at the expense of eloquent writing’
Financial Times
Okri is incapable of writing a boring sentence
Independent on Sunday
Ben Okri is that rare thing, a literary and social visionary, a writer for whom all three – literature, culture and vision – are profoundly interwoven
- Ali Smith,
Okri’s writing has a light-as-air elegance
New Statesman
[A] whimsical tale of transformation
The Guardian
Heaps of witty dialogue and wordplay on romance and breakups... there’s plenty in here for Shakespeare heads too
Shortlist
There is as much healing as there is heartache in this beautiful book
NB Magazine
Fiction's master enchanter
- Marlon James,
'[A] whimsical tale of transformation... magic is essential, and Okri can spin it.' Guardian
What do you do when your heart has been made a wasteland by love?
Viv, who’s in the House of Lords, had the idea for the festival on the twentieth anniversary of the day her first husband left her. Six months later, crowds descend on the grounds of a dreamlike chateau in the South of France, avidly awaiting the experience of a lifetime, Viv’s inaugural Festival for the Broken-Hearted.
Everyone is in fancy dress. No one knows who anyone is. They wander the beautiful woods with just one night to change everything. And to crown it all, a very special guest is expected: world-renowned clairvoyant and fortune-teller Madame Sosostris, known as the wisest woman in Europe, and not seen since the pages of T.S. Eliot's The Waste Land. She will attend for one night only.
But will she actually appear at all, or will Viv’s carefully orchestrated festival fall to pieces? Will Viv and her husband make it through the night? Will anyone else?
Part vision, part mystery, this story of a midsummer night’s madness is also an homage to Eliot's famous poem, in Ben Okri’s inimitable style, as alive with echoes and reverberations as the enchanted forest itself. Think Ingmar Bergman meets William Shakespeare, with a dash of Mozart.
Hearts will be healed, and hearts broken, but nobody will leave this festival exactly as they arrived.