Imagine Richard Yates becoming fascinated by Donald Antrim before writing <i>Revolutionary Road</i> and you'll have some idea of <i>Love Orange. </i><b>At turns funny, discomfiting, and darkly harrowing</b>, Randall's debut is real life inscribed upon the page. The classic American family of countless TV dramas and comedies is here fractured against the hard fulcrum of the current age. <b>One of the most satisfying novels you will read this year. This book rules.</b>
- Christian Kiefer, author of PHANTOMS,
'In <i>Love Orange</i> we see the American nuclear family in meltdown, a phenomenon Natasha Randall describes with <b>wisdom, wit, and a lot of heart</b>. I enjoyed every minute of it' Chris Power, author of <i>Mothers</i>
As an acclaimed translator of Russian novels, Natasha Randall has a fine-tuned sense of the absurd, and a wonderfully original way of seeing the world. <b>A stunningly accurate portrayal of American society, shining with vivid dialogue and observation</b>
- Chloe Aridjis, author of Sea Monsters,
[T]he first novel by this acclaimed translator is <b>an exuberant, comic, irresistibly dark examination of contemporary anxieties</b>
Vanity Fair
<b>An exquisite balance of humour and pathos...The setting and plot of</b><b><i>Love Orange </i>is extremely well crafted</b>
Lunate
<b>Randall throws satirical light on everything from opioid addictions to the domination of </b><b>modern technology</b> in this <b>exuberant and contemporary novel.</b>
Independent
The translator Natasha Randall's debut novel is a <b>keenly observed </b>account of the travails of an apparently normal American family . . . <b>Hugely ambitious</b>
Observer
Translator Randall makes her fiction debut with this<b> </b><b>assured and funny story of an American family in </b><b>crisis</b> trying to hide behind their new "smart" home.
The i
<b>I was . . . hooked by this comedic take on the modern American family</b>
Saga
<b>I loved the rich emotional mayhem of Natasha Randall's <i>Love Orange</i>.</b>
White Review (BOTY)
<i>Love Orange</i> is narrated in a close third-person from multiple points of view, artfully moving between the characters to build <b>an absorbing </b><b>story</b>. <b>Randall depicts the very </b><b>contemporary struggles of the Tinkley </b><b>family with empathy. </b>And her<b> </b><b>wry humour</b> leavens the serious topics she tackles: the prison system, gender roles, the perils of intrusive technology and the slippery slope of addiction - whether one reaches for drugs or devices for relief from the "marshmallow numbness" of daily life.
TLS