Produktdetaljer
Biographical note
Sebastian Faulks has written nineteen books, of which A Week in December and The Fatal Englishman were number one in the Sunday Times bestseller lists. He is best known for Birdsong, part of his French trilogy, and Human Traces, the first in an ongoing Austrian trilogy. Before becoming a full-time writer, he worked as a journalist on national papers. He has also written screenplays and has appeared in small roles on stage. He lives in London.It is a wonderfully happy book.
Guardian
This light-hearted romp is delightfully witty, packed with puns and boasts a few phrases that Wodehouse himself would have deemed top-hole. Splendid stuff.
Sunday Mirror
The finished product resembles, in all but cover, a traditional Wodehousian yarn. Harking back to the summer of 1926, it is a gentle, jolly tale – of farce and mistaken identity, of love lost and found, of cricket matches, village fetes and the eccentric upper classes.
Telegraph
At two memorable moments in <i>Jeeves and the Wedding Bells</i> I did indeed laugh until I cried… <i>Jeeves and the Wedding Bells</i> is a masterpiece… This is a pitch-perfect undertaking: proof, almost a century after his debut, that Jeeves may not be so inimitable after all.
Spectator
The plot is satisfyingly convoluted in the best Wodehouse tradition . . . A genuine addition to my growing Wodehouse collection and there is no higher tribute.
Daily Express
He catches the Wodehousean idiom, periphrasis, surreal similes and bally silliness to a T, all done with love. Please commission a dozen more, Hutchinson.
Literary Review
From the first page of Sebastian Faulks’s entirely delightful book . . . we are transported to Wodehouse land. All the details, of plot, of character, and of setting, are lovingly drawn. The hours spent reading <i>Jeeves and the Wedding Bells</i> are pure pleasure.
Financial Times
Faulks has caught the mood and the dialogue perfectly
Sunday Express