In this mesmerising novel from the award-winning author of Nagasaki, a journalist in 1990s Prague investigates a story of a woman with no musical education who produces masterful compositions claiming to be dictated to by Frédéric Chopin

Waterstones

[The Ghost of Frédéric Chopin] has the depth and elegance of a nocturne... Éric Faye makes his hero and his story alternate between the meticulous realism of the investigation and a delicate fantasy, quietly opening an unlimited field of possibilities

La Croix

A noir novel imbued with mystery and elegance... invites us to discover a Prague, rainy and unsettling, but terribly bewitching

ActuaLitté

Se alle

Éric Faye plays with suspense brilliantly in this novel... Taking inspiration from classic spy novels, the metaphysical and reflections on truth in art, the author enchants us with his elegant style

Études

Prague, 1995: journalist Ludvík Slaný is assigned to make a documentary about a truly bizarre case. Vera Foltýnova, a middle-aged woman with no musical training, claims she has been visited by the ghost of great composer Frederic Chopin - and that he has been dictating dozens of compositions to her, to allow the world to hear the sublime music he was unable to create in his own short life. With media and recording companies taking the bait, Ludvík enlists the help of ex-Communist secret police agent Pavel Cerny? to expose Vera as a fraud. Soon, however, doubt creeps in, as he finds himself irrationally drawn towards this unassuming woman and the eerily beautiful music she plays. Could he be witnessing a true miracle? An intricately plotted mystery imbued with the dusky atmosphere of autumnal Prague, The Ghost of Frederic Chopin is an engrossing story of art, faith and the quiet accompaniment of the past.
Les mer
The third book in the Walter Presents Library: a bewitching Prague-set mystery about a woman who claims to transcribe music from the ghost of Chopin.
I
The cobblestones were damp and slippery but, all things
considered, he decided it was better to risk twisting his
ankle than to lose sight of the woman walking quickly a hundred
feet ahead of him; this woman who, according to Slaný,
was in communication with Frédéric Chopin a century and a
half after his death. A strange case… If anyone had told him,
ten years before, that ten years later – on this gloomy Monday,
an All Saints’ Day in the twilight of the century – he would no
longer be a member of the secret police but would be reduced
to playing private detective in a country that had been sliced in
half and converted to capitalism, he would have cursed the future.
Then again, if that same someone had added that he would be
spying on a former school dinner lady who transcribed dozens
of posthumous scores dictated to her by the Polish composer,
the fanciful part of his personality would have been awakened
and he would have thought that, on further consideration, the
future merited a closer look. And if, moreover, that mysterious
someone had told him that the woman in question was
the widow of a recalcitrant individual whom he had followed
years before, he would have seen in his future occupation of
detective the suggestive glow of destiny, of a torch handed on
from past to present.
Yes, this woman and her ghost made a change from those
dissidents who haunted bars into the small hours under the
previous regime, those damned dissidents who had given him so
many nagging chest infections over the years, from sitting and
waiting in unheated cars, because this StB agent had suffered
from weak lungs ever since he was a little boy.
The woman he was following, whose fame was starting to spread
far beyond the mountains of Bohemia, had been called Věra
Foltýnova since her marriage, twenty-six years earlier. She was
born Věra Kowalski one June day in 1938 – nobody remembered
the exact date – which made her fifty-seven on that particular
All Saints’ Day in 1995.
When she reappeared in his field of vision, the former StB
agent breathed a sigh of relief. It wasn’t the first time she’d
briefly vanished from sight that day, since leaving her apartment;
each time he lost her like that, he started sweating, despite all
his experience of shadowing people from a distance. And then
her chubby figure would materialise again, a mischievous smile
on her face. If that was the game, he was happy to play along.
She had been constantly on the move since mid-morning.
And the detective hadn’t had a chance to rest in the past week.
Now that the street had straightened out, he thought things
might get easier. He would follow her more closely to make sure
he didn’t lose her again. Where could she be headed? One thing
was sure: she wasn’t going home, because her home was in the
opposite direction. It was almost noon… When she went into
a food shop, he exhaled and celebrated this brief respite by
lighting a cigarette. Just then, he remembered that the journalist
had asked him to get in touch as soon as he had some news. He
spotted a telephone booth a dozen feet from where he stood. It
rang twice before the journalist answered.
‘Ludvík Slaný, Česká televize.’
‘It’s Pavel Černý. You asked me to keep you in the loop,
and I’ve got a moment now because she’s nipped into a shop.
She left home just before ten and went to Olšany to put flowers
on her husband’s grave. Right now, I’m close to Vyšehrad.’
He went on like this for a few more sentences, then suddenly
said: ‘Hang on, she’s coming out. She bought another pot of
chrysanthemums. And now… yes, it’s just as I thought: she’s
going up the street. I’ll call you again when I get a chance. I
don’t want to lose her…’
Les mer

Produktdetaljer

ISBN
9781782277224
Publisert
2021-05-06
Utgiver
Vendor
Pushkin Press
Høyde
198 mm
Bredde
129 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
224

Forfatter
Oversetter

Biographical note

Éric Faye is a journalist who was born in Limoges. He is the prize-winning author of over twenty books of fiction, essays and travel writing, including The Ghost of Frédéric Chopin and Nagasaki, published by Pushkin Press. His fiction he has been awarded the Deux-Magots Prize and the Grand Prix du roman from the Académie Française.