‘A <b>gripping literary thriller</b>, <i>Fruit of the Dead</i> presents a coming-of-age tale that is so well-observed and intoxicating that the reader will lose track of time, but won't forget how they spent it. <b>Egan and Cline fans: assemble</b>.’
Caoilinn Hughes, author of The Wild Laughter
‘<b>Ancient Greece meets <i>Succession</i> by way of Emma Cline</b>, <i>Fruit of the Dead</i> is a <b>deliciously dark examination of agency and power</b>, and the savage complexity of the mother-daughter bond.’
Ruth Gilligan, author of The Butchers
'Mesmerised and profoundly alarmed, <b>I read this in one go</b>; I’ve been haunted by it ever since. I’ve passionately loved Lyon’s writing for years, and <i>Fruit of the Dead</i> further confirms what I’ve long suspected: I want to lunge to read anything she writes.'
R. O. Kwon, author of The Incendiaries
'A <b>mesmerising contemporary reimagining</b> of the Persephone myth, <b>exploring power, desire and responsibility</b>. A dizzying take on an age-old tale of temptation, seduction and enchantment.'
Madeleine Feeny, The Bookseller
‘Pharma billionaire Hades? Yes please.’
Lit Hub, Most Anticipated Books of 2024
‘Lyon puts <b>a modern twist on the myth of Persephone and Demeter </b>in this irresistible narrative of a naive teenager and her protective mother… The result is <b>an affecting, engrossing, and resonant tale </b>about lost innocence and the enduring bond between a mother and daughter.’
Publishers Weekly, Starred Review
'Lyon’s <b>skillful and luscious prose</b> encourages empathy... an affecting novel with touches of the fantastical, weaving explorations of power, youth, wealth, and familial love.'
Kirkus, Starred Review
‘An <b>unnerving literary thriller</b>... An absorbing exploration of ancient themes like power and temptation.’
Mail on Sunday
'<b>Superb</b>... refreshing... Lyon twists the tale just enough to <b>needle our conceptions of </b><b>coercion and desire.</b>'
New York Times Book Review
'<b>Riveting and lush</b>… a spellbinding account of a young woman’s hunger for freedom, <b>the sordid underbelly of big pharma, and the siren call of addiction</b>.'
Leslie Jamison