Dottie By the winner of the Nobel Prize in Literature 2021
Produktdetaljer
Biographical note
Abdulrazak Gurnah is the winner of the Nobel Prize in Literature 2021. He is the author of ten novels: Memory of Departure, Pilgrims Way, Dottie, Paradise (shortlisted for the Booker Prize and the Whitbread Award), Admiring Silence, By the Sea (longlisted for the Booker Prize and shortlisted for the Los Angeles Times Book Award), Desertion (shortlisted for the Commonwealth Writers’ Prize) The Last Gift, Gravel Heart, and Afterlives, which was shortlisted for the Orwell Prize for Fiction 2021 and longlisted for the Walter Scott Prize. He was Professor of English at the University of Kent, and was a Man Booker Prize judge in 2016. He lives in Canterbury.<b>Gurnah is a master storyteller</b>
- Aminatta Forna, Financial Times
[A] <b>captivating</b> storyteller, with a voice both <b>lyrical </b>and mordant, and <b>an oeuvre haunted by memory and loss</b>. His <b>intricate</b> novels of arrival and departure … reveal, with flashes of acerbic humour, the lingering ties that bind continents, and how competing versions of history collide
Guardian
Gurnah writes with <b>wonderful insight </b>about family relationships and he folds in the layers of history with <b>elegance and warmth</b>
The Times
Exile has given Gurnah a perspective on the “balance between things” that is <b>astonishing, superb</b>
Observer
Gurnah etches with <b>biting incisiveness</b> the experiences of immigrants exposed to contempt, hostility or patronising indifference on their arrival in Britain
Spectator
By the winner of the Nobel Prize in Literature 2021
A searing tale of a young woman discovering her troubled family history and cultural past
‘Gurnah writes with wonderful insight about family relationships and he folds in the layers of history with elegance and warmth’ The Times
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Dottie Badoura Fatma Balfour finds solace amidst the squalor of her childhood by spinning warm tales of affection about her beautiful names. But she knows nothing of their origins, and little of her family history – or the abuse her ancestors suffered as they made their home in Britain.
At seventeen, she takes on the burden of responsibility for her brother and sister and is obsessed with keeping the family together. However, as Sophie, lumpen yet voluptuous, drifts away, and the confused Hudson is absorbed into the world of crime, Dottie is forced to consider her own needs. Building on her fragmented, tantalising memories, she begins to clear a path through life, gradually gathering the confidence to take risks, to forge friendships and to challenge the labels that have been forced upon her.