Bartlett is a seductive narrator. <i>The Disappearance Boy</i> is written in an intimate, conspiratorial tone familiar to readers of his Costa-nominated novel, <i>Skin Lane</i> … Bartlett is particularly good at evoking the faded glamour of the theatre and the brittle egos that compete offstage ... An entertaining routine and Bartlett pulls it off with aplomb
<b><i>Independent</b></i>
This a properly engaging novel, blessed by vivid characters, a fascinating subject and an expertly evoked setting. Excellent
<b><i>Daily Mail</i></b>
Neil Bartlett can conjure up a world like no-one else. This time, it’s the lost world of 1950s seaside variety, and within that world he spins a tale of unlikely self-discovery that is by turns mysterious, tender and utterly compelling
<b>S. J. Watson</b>
This book and its enchanting characters had me under their spell. I was bewitched
<b>Sheila Hancock</b>
Neil Bartlett’s ability to vividly evoke hidden lives is uncanny
<b>Jake Arnott</b>
One of England's finest writers
<b>Edmund White</b>