<i>The Dancing Face</i> has the page-turning quality of all good crime novels . . . The characters in <i>The Dancing Face</i>, as well as the relationships that link them, are extremely well fleshed-out . . . The ability to expose the many different aspects of political issues in a digestible way is one of the beauties of fiction, and Phillips makes use of it masterfully in <i>The Dancing Face</i>
Bad Form
Mike Phillips could be placed between David Caute and Jeffrey Archer as a skilled creator of street-level relationships that revolve around crime
Independent