A real king returns ... a story, and a vision, as sweeping as its landscapes

<B>Boyd Tonkin, <I>Independent</I></B>

Astonishing ... Reviewers will be quick to proclaim that Richard Ford has written a great American novel, another masterpiece, and he most emphatically has. <i>Canada</i> is his finest work to date ... A powerfully human and profound novel that makes one sigh, shudder and weep. Here is greatness. No doubt about it

<B>Eileen Battersby, <I>Irish Times</I></B>

<p>His books will save you</p>

<B><I>GQ</I></B>

A scrupulously rendered coming-of-age story

<B>Anthony Cummins, <I>Sunday Telegraph</B></I>

The strength of the book is Ford's examination of flawed fatherhood, of the failures that push Dell into an uneasy maturity, one that allows him to achieve what remains the modest but profound goal of Ford's fiction: simply, to make a life ... his coda is as precise and measured as anything he has conjured before. The end, like a piece of origami, could fold right into the beginning of Ford's greatest novel, <i>The Sportswriter</i>. The sombre and gorgeous final two thirds of <i>Canada</i> rest next to Ford's best fiction

<B>Craig Taylor, <I>The Times</I></B>

A true master of the modern American novel

<I><B>Independent</B></I>

<i>Canada </i>both grips and haunts

<B>Douglas Kennedy, <I>Independent</B></I>

As opening lines go, they're corkers. The rest of the novel is quieter than you'd imagine but it amply fulfils their promise ... The result is prose so sonorous in its melancholy insightfulness that you'll want to linger over each sentence. Meanwhile, the story itself - a tale of what happens when uncrossable lines are crossed - will have you turning its pages ever faster<i></i>

<B><I>Daily Mail</B></I>

Ford really excels in his virtuoso command of narrative suspense ... each part of <i>Canada </i>is superb in its own way ... [Ford is] a serious artist

<B>New York Review of Books</B>