Dazzling [and] absorbing... This is an extremely funny book, and a political one... It is filled with moments of transcendence and glimpses of alternative ways of being and perceiving

- Catherine O’Flynn, Guardian

Lerner carries off his conceit with aplomb, thanks to his intelligence, seriousness and gift for social satire

- Neville Hawcock, Financial Times

Reading Ben Lerner gives me the tingle at the base of my spine that happens whenever I encounter a writer of true originality. He is a courageous, immensely intelligent artist who panders to no one and yet is a delight to read. Anyone interested in serious contemporary literature should read Ben Lerner, and 10:04 is the perfect place to start

- Jeffrey Eugenides, author, The Marriage Plot

Ben Lerner is a brilliant novelist, and one unafraid to make of the novel something truly new. 10:04 is a work of endless wit, pleasure, relevance, and vitality

- Rachel Kushner, author, The Flamethrowers

It's clear Ben Lerner is stupendously, murderously talented. 10:04 is clever, strange, funny and original

- Joe Dunthorne, author, Wild Abandon

[10:04] is an extremely funny book [and] Lerner is a gripping storyteller... [A] dazzling, absorbing novel

- Catherine O’Flynn, Guardian

Luminous, intelligent, poignant, and funny... 10:04 is a rare achievement. This is only Lerner's second novel, and yet to talk about mere "promise" seems insufficient. Even if he writes nothing else for the rest of his life, this is a book that belongs to the future

- Giles Harvey, New York Review of Books

A generous, provocative, ambitious Chinese box of a novel... a near-perfect piece of literature, written with the full force of Lerner's intellectual, aesthetic, and empathetic powers, which are as considerable as they are vitalizing... A magnum opus

LA Times

A sneakily visionary novel masquerading as a comic one. The world Ben Lerner describes is recognizably ours. Why then is it so thrilling and unnerving to wander through it?

- Jenny Offill, author, Dept. of Speculation

Lerner captures in often beautiful and sometimes hilarious style the rhythms, dissonances, and ambiguities of New York City... Lerner pulls this complex effort off with verve and a keen satiric eye and ear. This is a modern, very New York, and unique literary novel

Booklist

In stunningly hypnotic prose... this masterful, at times dizzying novel re-evaluates not just what fiction can do but what it is. Hilarious and incisive... [it] achieves brilliance, at once a study of how fiction functions and an expansive catalog of life

Time Out NY *****

Lerner packs so much brilliance and humor into each episode... Ingenious

Wall Street Journal

Lerner is among the most interesting young American novelists at present... In his books, little happens, yet everything happens. Small moments come steeped in vertiginous magic... A constantly vivid observer of the world [...] we come to relish seeing the world through [his] eyes

New York Times

A rich, sophisticated novel ... Brilliant

New Republic

A funny, deeply observational metafictional romp

Entertainment Weekly

Lerner's work is an ever-expanding universe... like the light from a dead star, 10:04 will illuminate you to yourself for a long time to come

National Post

Lerner spans high- and lowbrow effortlessly... As much as I adored Leaving the Atocha Station, 10:04 is an improvement on those ideas in every single way. The book is more ambitious, more intelligent, and, somehow, even more hysterical

Grantland

Wonderfully intelligent, full of intricate formal devices, literary references and various hidden repositories of meaning... It is also a tentative, tender, and achingly uncertain story of man becoming a father

Weekend Australian

I expected to love and, with relief, did love Ben Lerner's second novel 10:04

- Joe Dunthorne, ‘Books of the Year’ Observer

Somewhere between the desperate unspooling sincerities of David Foster Wallace and the self-anatomising babble of Woody Allen... [10:04 is a] strange book... with a ruthless, twisty cleverness and originality that are difficult to ignore... We may need a new genre

- Tim Martin, Literary Review

Lerner writes with supercool irony about the farcical everyday extremities of contemporary life [and] manages to combine intellectual seriousness with scouring self- and social satire... [An] impressive tour of his hothouse literary world

- Randy Boyagoda, Financial Times

[In] 10:04, Lerner is saying that life is too fragmented, too multifarious to be narrowed down to one single narrative, but that doesn't mean it can't be captured, in all its heartbreaking variety, in the pages of a novel... Lerner is a great writer and 10:04 a great novel

- Alex Preston, Observer

[10:04 is] contemplative and tender... Out of the ephemera of everyday life, Lerner has created a work of great artifice, knitted together by dozens of images... I doubt I'll read a finer novel this year

- Jonathan Beckman, Telegraph

Brave and humane... 10:04 is deeply political because it looks imaginatively at our unequal world and creates a renewed sense of possibility about the future

- Max Lui, Independent on Sunday

Much-praised, strikingly meditative

- Alex Clark ‘2015 fiction round-up’, Observer

10:04 is an accomplished work, and a mature one... wonderful indeed

- Jonathan Gibbs, Independent

An impressive and even entertaining book - very well-written and scarily clever

Daily Mail

A neon Rubik's Cube of a book... 10:04 reads like a collage: a scrapbook bursting with quotations, puzzles, metafictional diary entries, conversations and printed images, assembled in a future where the word "novel" has lost its original meaning, and shot back into the past where it stretches out its hand... A clever and timely work

- Philip Maughan, New Statesman

10:04 is wonderfully intelligent, full of intricate formal devices, literary references and various hidden repositories of meaning... It is also a tentative, tender, and achingly uncertain story of a man becoming a father

Weekend Australian

10:04 jangles and shifts, it zigs and zags like thoughts pinging through a cerebral cortex... [it] whips along with the force of a skipping rope, taut and glimmering

Sydney Morning Herald

What you're left with is Lerner's undeniable talent. He is very clever and he can certainly mint a metaphor... but he is also a natural storyteller, winning you round to whatever new direction he has taken within a couple of sentences... I recommend that you give Lerner a whirl

- Theo Tait, Sunday Times

[Lerner is] one of those writers you're really happy to have describing your world: wry, witty, always surprising... If you like language, you'll love [10:04]

- Richard Godwin, Evening Standard

Lerner tiptoes between satire and sincerity to serve up a sparky comedy about the first-world problem of how to live well in the knowledge of wider suffering

- Anthony Cummins, Metro

Lerner's musings are tricksy and self-referential, which could be as dull as ditchwater in the wrong hands, but here the literary fun and games are fresh and original... Brilliant, smart and entertaining

- Eithne Farry, Sunday Express

10:04 exists precariously and brilliantly on the edges of several genres. Preoccupied with apocalyptic visions and with the value of art, 10:04 suggests that the future of the novel is hopeful

Prospect

A skilled and singular voice

- Stoddard Martin, Jewish Chronicle

Lerner is doing something different with his metafictional plot: he's showing us, in good faith, how fiction gets written. Remarkable

- Elaine Blair, London Review of Books

Rewarding

Private Eye

10:04 is a clever book. Lerner's style [...] super-confident [and] the chronology leaps about nimbly.... One has to admire the virtuosity

- Brandon Robshaw, Independent on Sunday ****

Lerner's masterclass in metafiction breaches the boundaries between fiction and real-life, narrator and author... It's a clever, funny discourse on the processes of writing fiction

- Lucy Scholes, Observer

A stunningly achieved work of narrative fiction

- Cal Doyle, Irish Times

The cleverest, funniest and most absorbing novel I read all year

- Edmund Gordon, Books of the Year, TLS

A deeply compelling story of male anxiety and vulnerability

Evening Standard