An Australian thriller at its finest. A captivating read from first page to last

Jane Harper, author of 'The Dry'

An outstanding debut... Pacy, violent but with a big thundering heart, it looks set to be one of the debuts of the year and marks Emma Viskic out as a serious contender on the crime scene

Eva Dolan

Outstanding, gripping and violent... a hero who is original and appealing

Guardian

Se alle

Terrific... Grabs you by the throat and never slackens its hold

Christos Tsiolkas, author of The Slap

[A] stunning debut... original and splendidly plotted [with] a superb cast of main characters

The Times, Crime Book of the Month

Adds to a bumper year for quality Australian crime fiction... The dialogue is excellent... [it] zooms along

Sunday Express

More than lives up to its hype... Fierce, fast-moving, violent... it is as exciting a debut as fellow Australian Jane Harper's The Dry, and I can think of no higher praise

Daily Mail

This outstanding debut from Australian author Viskic is fast-paced with gut-wrenching twists and an engaging protagonist

Daily Express

A terrific new voice. Great writing and credibly vulnerable characters

Irish Examiner

Clever, funny and totally deserving of the plaudits engulfing this antipodean début. Vividly persuasive characters along with fast-paced, gut-wrenching twists leave the reader craving for the next instalment

Judging Panel, CWA Gold Dagger 2018 Shortlist

Set in a beautifully evoked Australia, a deaf man pursues the killer of his childhood friend and is forced to navigate by guess work and uncover the many secrets of his boyhood town, with the assistance of a local cop. Exemplary and humane and full of deeply felt anxiety

Judging Panel, CWA New Blood Dagger 2018 Shortlist

Emma Viskic's debut is a gripping read

Crime Review

Distinctive flavour

Herald Scotland

It has a unique take... great twists and turns with excellent layering

Nudge Books

Accomplished, original and utterly riveting, so much so that I read it in pretty much one sitting

Raven Crime Reads (blog)

Fast-paced and very well written

Amazon Book Review

A rattling plot-driven thriller that is not for the faint-hearted... never takes a predictable turn

The Age

Viskic's characterisation, dialogue and plotting are on par with some of the heavyweights of crime writing

Sydney Morning Herald

A compelling, highly recommended read.

Books+Publishing

If this is anything to go by, we could do with more Aussie crime fiction over here. Viskic knows how to put together a gripping story

Nudge Books

An outstanding debut novel from an author you'd hope is busy on the next instalment right now

The Newtown Review of Books

A tour-de-force excursion into good, evil, and the labyrinth of human motivations. Emma Viskic has created a brilliant protagonist in the profoundly-deaf, and irrepressibly obstinate Caleb Zelic, and has produced one of the year's best crime novels

Pages and Pages Booksellers

This is pacey and intelligent storytelling and Viskic nails the 3 Ps of crime fiction - plot, place and people you believe in and care about... Viskic has created a genuinely unique and captivating character who deserves a place alongside Jack Irish and Cliff Hardy

- P.M. Newton,

Crime, danger, love, heartbreak, betrayal, murder, hope, violence, and enough surprises to keep you wolfing down the words right to the very end

- Narelle Harris,

Sad and funny and thrilling and very, very good. It's even got a kicker of an ending. You should read it. Now.

Fair Dinkum Crime

A highly enjoyable debut

The Daily Telegraph (Australia)

After reading this book [book two] can't come quickly enough... I really need to know what happens next

Steph's Book Blog

Caleb Zelic can't hear you. But he sees everything.The prizewinning debut thriller from the new name in crime.CALEB ZELIC IS ON THE HUNT FOR HIS FRIEND'S KILLERHis childhood friend has been brutally murdered - fingers broken, throat slit - at his home in Melbourne. Tortured by guilt, Caleb vows to track down the killer. But he's profoundly deaf; missed words and misread lips can lead to confusion, and trouble.HE NEVER FORGETS A FACEFortunately, Caleb knows how to read people; a sideways glance, an unconvincing smile, speaks volumes. When his friend Frankie, a former cop, offers to help, they soon discover the killer is on their tail.IT MIGHT JUST SAVE HIS LIFESensing that his ex-wife may also be in danger, Caleb insists they return to their hometown of Resurrection Bay. But there he learns that everyone - including his murdered friend - is hiding something. And the deeper he digs, the darker the secrets...
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1. Caleb was still holding him when the paramedics arrived. Stupid to have called an ambulance – Gary was dead. Had to be dead. Couldn’t breathe with his throat slit open like that. Th e ambos seemed to think so, too. Th ey stopped short of the blood-slicked kitchen tiles, their eyes on Gary’s limp form in his arms. A man and a woman, wearing blue uniforms and wary expressions. Th e woman was talking, but her words slipped past him, too formless to catch. ‘It’s too late,’ he told her. She stepped back. ‘You got a knife there, mate? Something sharp?’ Speaking slowly now, each syllable a distinct and well-formed shape. ‘No.’ The tightness didn’t leave her face, so he added, ‘I didn’t kill him.’ ‘Anyone else in the house?’ ‘No, but Gary’s kids’ll be home from school soon. Don’t let them see him.’ She exchanged a glance with her colleague. ‘OK, how about you put Gary down now, let us check him out?’ He nodded, but couldn’t seem to move. The ambos conferred, then ventured closer. They coaxed his hands loose and laid Gary gently on the fl oor, their fingers feelingfor a pulse that couldn’t be there. Blood on their gloves. On him, too – coating his hands and arms, soaking the front of his T-shirt. The material stuck to his chest, still warm. Hands gripped him, urging him up, and he was somehow walking. Out through the living room, past the upended fi ling cabinet and slashed cushions, the shattered glass. Away from the terrible thing that used to be Gary. He blinked in the pallid Melbourne sun. The woman’s voice hummed faintly, but he gazed past her to the street. It looked the same as always – a row of blank-faced houses; trampolines in the front yard, labradoodles in the back. Th ere was his car, two wheels up on the curb. He’d been fi nishing a job down the Peninsula when Gaz texted: a great result, back-slapping all round. It had been an hour before he’d read the message, another two in the car, stuck behind every B-double and ageing Volvo. He should have run the red lights. Broken the speed limits. The laws of physics.Police lights strobed the street as dusk turned to darkness. Caleb sat on the back of the ambulance tray with a blanket around his shoulders and the company of a pale and silent constable who smelled of vomit. His own stomach churned. He couldn’t rub the blood from his hands. It was in his pores, under his nails. He scrubbed them against his jeans as he watched strangers troop in and out of Gary’s home. They carried clipboards and bags, and wore little cotton booties over their shoes. Across the road, the lights from the news vans illuminated the watching crowd:neighbours, reporters, kids on bikes. He was too far away to see their expressions, but could feel their excitement. A charge in the air like an approaching storm. The constable snapped to attention as someone strode down the driveway towards them. It was the big detective, the one who’d searched him and seemed a little disappointed not to find the murder weapon. Around Caleb’s age, mid-thirties at most, with short-cropped hair and shoulders that challenged the seams of his suit. Telleco? Temenko? Tedesco. Tedesco stopped in front of the young policeman. ‘Move the reporters back from the tape, Constable. If you feel the urge to up-chuck again, aim it at them rather than the crime scene.’ He turned to Caleb. ‘A few more questions, Mr Zelic, then I’ll get you to make your statement down the station.’ Th e easy rhythms of a dust-bowl country town in his speech, but his face was half-hidden by shadows. Caleb shifted a few steps to draw him into the light. Tedesco glanced from him to the nearest streetlight. ‘If it’s too dark for you we can move closer to the house.’ Metres from Gary’s body. Th e stench of blood and fear. ‘Here’s fine.’ ‘I take it you had more than just a business relationship with Senior Constable Marsden.’ ‘He’s a friend.’ No. No more present tense for Gary. From now on, only past: I knew a man called Gary Marsden, I loved him like a brother. Tedesco was watching him: a face hewn from stone, with all the warmth to match. He pulled a notebook from his pocket.‘This urgent call he made, asking you to come, can you remember his exact words?’ ‘I can show you, it was a text.’ His hand went to his pocket, found it empty. Shit. He patted his jeans. ‘I’ve lost my phone. Is it in the house?’ ‘A text, not a call? Not too urgent, then. Could just be a coincidence he asked you to come.’ ‘No. Gaz always texted me, everyone does. And he was worried. He always used correct grammar, but this was all over the place. Something like, “Scott after me. Come my house. Urgent. Don’t talk anyone. Anyone.” All in capitals.’ Tedesco flicked slowly through his notebook, then wrote. Careful letters and punctuation, a fi rm, clear hand. He’d be able to read that back in court without a stumble. Gaz would have approved. He kept his pen poised. ‘Who’s Scott?’ ‘I don’t know.’ ‘I don’t care what dodgy dealings your company’s involved in, Mr Zelic. I’m homicide, not fraud, not narcotics. So what are we talking about here? A deal gone wrong? In over your heads with someone?’ ‘No, there’s nothing like that. Trust Works is legit. We do corporate security, fraud investigation, that sort of thing. My partner’s an ex-cop – Frankie Reynolds. Ask around, half the force can vouch for her.’ ‘And Senior Constable Marsden? How does he fit in?’ ‘He was just helping out on an insurance case, earning a bit of extra cash.’ It had been a fl ash of fuck-I’m-good inspiration over Friday-night beers with Gaz. A solution to a job that was way too big for them. One that Frankie had tried to talkhim out of accepting. Why the hell hadn’t he listened to her? Tedesco was talking again, asking if Gaz had . . . something. Many problems? No, that couldn’t be right. ‘Sorry, what?’ ‘Money problems,’ Tedesco said. ‘You said he was earning extra cash. Did he have money problems?’ ‘No, but he’s got a young family, money always comes in handy. Look, the case has to be connected. It’s a couple of big warehouse robberies. Gaz thought the thieves had an inside contact.’ ‘Constable Marsden wasn’t killed by some dodgy warehouse manager, Mr Zelic. He was executed. Executed – that’s a word you don’t hear thrown around the outer suburbs too often.’ A happy-looking word: a little smile for the first syllable, a soft pucker for the third. ‘Blood all over the walls and ceiling.’ Tedesco waited a beat. ‘All over you. Th at’s someone sending a message. Who? And what?’ ‘I don’t know. He was just talking to people. Nothing dangerous, nothing . . . I don’t know.’ Th e detective’s eyes pinned him. Grey; the colour of granite, not sky. If the silent stare was an interrogation technique, it was wasted on him: he’d always found silence safer than words. ‘Right,’ Tedesco fi nally said. ‘Come this way. I’ll get someone to take you to the station.’ ‘Wait. Th e dog, the kids’ dog, I didn’t see it. Is it . . .?’ The detective’s words were lost as he turned away, but Caleb caught his expression. A fl ash of real emotion:sorrow. Fuck. Poor bloody kids. Tedesco was halfway across the road, striding towards the crowd. Later, deal with it all later. Just hold it the fuck together now. He jogged to catch up and followed Tedesco under the police tape. Cameras turned their black snouts towards him. Lights, thrusting microphones, a blurred roar of sound. He froze. Tedesco was in front of him, his mouth moving quickly. Something about parachutes? Parasites? ‘I don’t understand,’ Caleb said, then realised he was signing. He tried again in English. Th e detective gripped his arm and hauled him towards a patrol car, half pushed him inside. Th e door slammed shut, but couldn’t block the hungry faces. Caleb closed his eyes and turned off his aids. Scott. A soft name, just sibilance and air. Who the hell was he? And why had Tedesco taken twenty seconds to flick through a clearly blank notebook when Caleb had mentioned his name?
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Produktdetaljer

ISBN
9781782273912
Publisert
2018-04-05
Utgiver
Vendor
Pushkin Vertigo
Høyde
198 mm
Bredde
129 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
304

Forfatter

Biographical note

Emma Viskic is an award-winning Australian crime writer. Her critically acclaimed debut novel, Resurrection Bay, won the 2016 Ned Kelly Award for Best Debut, as well as an unprecedented three Davitt Awards: Best Adult Novel, Best Debut, and Readers' Choice. It was also iBooks Australia's Crime Novel of the year in 2015. Emma studied Australian sign language (Auslan) in order to write the character of Caleb Zelic. And Fire Came Down, the second book in the Caleb Zelic series, will follow in August 2018.