“An indictment of a world obsessed with “likes” and an exploration of what growing up under the glare of constant filming will do to a child, this is skin-crawlingly good.”

The Guardian

"Social commentary meets thriller in Delphine de Vigan’s smart novel, which explores the frightening phenomenon of the 'kidfluencer'"

The Telegraph (5 stars)

"A cautionary tale about social media and the monetising of our every move."

The Daily Mail

Se alle

“What really elevates this page-turner are its political urgency and psychological depth.”

The New York Times

“A captivating thriller reminiscent of The Truman Show.”

ELLE

“An intelligent and extremely relevant novel highlighting the potential consequences of the world we are creating.”

Swirl and Thread

“Kids Run the Show is a razor-sharp exploration of social media through the lens of influencer culture, penned by a talented writer."

Set the Tape

"An intelligent and affecting look at the void that lurks inside our social media fantasies of domestic bliss."

Kirkus Reviews (starred)

"Blending suspense and social commentary, de Vigan’s tale offers various perspectives on social media and its constructs of reality."

Booklist

"A scathing criticism about privacy, social media, and parental rights."

Book Riot

"De Vigan has written a blistering critique of influencer culture, the erasure of privacy, and the exploitation of children."

Crime Reads

“A thrilling story about children exposed to social media by their parents from a young age.”

La Croix

“Delphine de Vigan plunges her reader into the fascinating and brutal world of influencers.”

Le Figaro

"A thing of poetic beauty."

The Times (on No and Me)

"Social commentary meets thriller in Delphine de Vigan’s smart novel, which explores the frightening phenomenon of the 'kidfluencer'" —The Telegraph (5 stars) The first time that Mélanie met Clara, Mélanie was stunned by Clara’s sense of authority, and Clara was struck by Mélanie’s pink, glittery nails, which shimmered in the dark. “She looks like a child,” thought the first. “She looks like a doll,” pondered the second.  These two women, both of the same generation and exposed to the same media throughout their lives, could not be more different in adulthood. Mélanie is a social media superstar, broadcasting her children's daily lives on a family YouTube channel. Clara is a young police officer, assigned to the case after Mélanie’s daughter Kimmy is abducted. Traversing the Big Brother generation, the social media influencer generation, and right up to the 2030s, Delphine de Vigan offers a bone-chilling exposé of a world where everything is broadcasted and profited from, even family happiness.
Les mer
A cautionary tale for a world in which social media has shattered the boundaries of intimacy.
“An indictment of a world obsessed with “likes” and an exploration of what growing up under the glare of constant filming will do to a child, this is skin-crawlingly good.”

Produktdetaljer

ISBN
9781787704893
Publisert
2023-11-09
Utgiver
Vendor
Europa Editions (UK) Ltd
Høyde
210 mm
Bredde
135 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
272

Forfatter
Oversetter

Biographical note

Delphine de Vigan has published several novels, a number of which were nominated and won major literary prizes in France, including the Prix Goncourt, Prix Goncourt des lycéens, Prix Renaudot, Prix de Libraires, Prix du roman Fnac and Gran prix de lectrices de Elle. She is the author of No and Me. She lives in Paris. Alison Anderson’s translations for Europa Editions include novels by Sélim Nassib, Amélie Nothomb, and Eric-Emmanuel Schmitt. She has translated all of Muriel Barbery’s books, including the international bestseller, The Elegance of the Hedgehog.