Produktdetaljer
Biografisk notat
Rian Hughes is a graphic designer, illustrator, comic artist, writer and type designer who has worked extensively for the British and American advertising, music and comic book industries. He has written and drawn comics for 2000AD and Batman: Black and White, and designed logos for The Avengers, The X-Men, Superman, record label Hedkandi, MTV and James Bond. He has edited books on mid-century lifestyle illustration and custom typography, and written on semiotics, culture, and collecting vintage science-fiction pulps and paperbacks. He lives in London.Hughes is an <b>undeniably unique wordsmith</b> . . . [<i>The Black Locomotive</i>] manages to communicate an <b>excited and passionate vision</b> while holding fast to a nostalgic affinity that <b>warms the bones of any would-be industrial revolutionary.</b>
Sci Fi Now
A <b>brilliantly original</b> novel of literary SF from the acclaimed author of <i>XX</i>, <i>The Black Locomotive </i>weaves steam trains, the history and architecture of London, and a mysterious alien artefact below the city into <b>a work of stunning inventiveness and originality</b>.
The Guardian
What’s to be said about a book that blends boys’ own adventures with semiotics, complex sci-fi with steam engines, conspiracy theory with discourses on urban planning? Only that something <b>so cleverly conceptual, ridiculously romantic and utterly unique </b>must be the new Rian Hughes.
Daily Mail
Rian Hughes’s graphic-design extravaganza hits the rails screeching, wailing and showering sparks . . . Part a callback to science fiction’s New Wave, part architect’s coffee-table must-have, part <b>ripping yarn</b>.
The Times
The genius of Hughes is that he pulls off wild flights of fancy with a swagger and confidence that are utterly convincing . . . <b>If only all fiction was this adventurous and original.</b>
The Big Issue
‘Utterly unique . . . A masterpiece’ The Daily Mail
‘Stunning . . . Brilliantly original’ The Guardian
London is built from concrete, steel and the creative urge. Old technology gives way to the new. Progress is inevitable – but is it more fragile than its inhabitants realize?
A strange anomaly is uncovered in the new top-secret Crossrail extension being built under Buckingham Palace. It is an archaeological puzzle, one that may transform our understanding of history – and the origins of London itself.
And if our modern world falls, we may have to turn to the technology of the past in order to save our future.