âBlunt, brilliant tales of hardscrabble lives.â<br /> â<i><b>The New York Times Book Review</b></i><br /><br /> âDrawn in gritty, deceptively simple prose, his characters drink too much, smoke too much, and flout the law when they can. But Brown proves that the coarsest material can produce the most affecting art.â<br /> â<i><b>Menâs Journal</b></i><br />  <br /> âThe complete collection of Brownâs darkly comic short stories starring smart and salty workaday Southerners . . . Now counted among the titans of modern Southern storytellers, Brown lived a life that proclaimed the power of writing your own dream.â<br /> â<i><b>Garden Gun</b></i><br />  <br /> âThis collection showcases the depth of Brownâs work and his evolution as a Mississippi artist and writer.â<br /> â<i><b>Deep South Magazine</b></i><br /><br /> âThere is a stark, stripped-down quality to Brownâs writing. His language is blunt and sometimes coarse. It is the pitch-perfect voice for telling the indelible stories of these working-class men and women who strive to do right but who often prove to be their own worst enemies.â<br /> â<i><b>Atlanta Journal Constitution?</b></i><br />  <br /> âA thorough testament to his loving eye for rural minutiae. The details in each story . . . could only be the work of someone whoâd shared an Old Milwaukee or two with his characters . . . <i><b>Tiny Love </b></i>showcases Brownâs singular, unconditional empathy for the drunk and neglectful, the depraved but helpless, the ornery yet resignedâall the dogs that donât make it across the highway.â<br /> â<i><b>INDY Week</b></i><br /><br /> âThreads of humor and grace run through the tales of violence, infidelities, and alcoholism, masterfully introducing an unexpected compassion. Brown excels at capturing psychological complexity with spare, humane prose in an original voice that was sadly lost to us far too soon.â<br /> â<i><b>Booklist</b></i><br />  <br /> â[An] outstanding, capacious volume . . . Whether exploring the underbelly of love or the despair of editorial rejection, Brownâs stories drip with often uncomfortable detail as he describes the crass, the ugly, and the broken in ways unique and captivating.â<br /> â<i><b>Publishers Weekly</b></i><br />  <br /> âLarry Brown was a celebrated writer of the grit lit genre who wrote spare, brutal stories about hard-drinking, love-hungry barflies, Vietnam vets, hunters, bricklayers and loggers.â<br /> â<i><b>Atlanta Journal Constitution</b></i><br /><br /> âA career-spanning collection by a master of American realism . . . Compassionate and gritty and lyricalâa master class.â<br /> â<i><b>Kirkus Reviews</b></i><br /><br /> âWhen I discovered <i>Big Bad Love</i>, I went back and read everything. That man could write. He moved through life with a discerning eye and a capacity for language that I wanted. How did he do that? Story makes sense of what cannot make sense just by showing you the broken tragic heart that goes on beating. Which he did so beautifully. And with a sense of humor, Lord save us . . . I could read Larry Brown anytime, even though I know whatâs coming, even though I know heâs going to break my heart again.â<br /> â<b>Dorothy Allison, author of <i>Bastard Out of Carolina</i></b><br />                                         <br /> âLarry Brown wrote stories that captured both the beauty and the brokenness of life. He never blinked at lifeâs darkness, but drew you into it with his characters. Larry Brown wrote the way the best singers sing: with honesty, grit, and the kind of raw emotion that stabs you right in the heart. He was a singular American treasure.â<br /> â<b>Tim McGraw</b>
âBlunt, brilliant tales of hardscrabble lives.â<br /> â<i><b>The New York Times Book Review</b></i><br /><br /> âDrawn in gritty, deceptively simple prose, his characters drink too much, smoke too much, and flout the law when they can. But Brown proves that the coarsest material can produce the most affecting art.â<br /> â<i><b>Menâs Journal</b></i><br />  <br /> âThe complete collection of Brownâs darkly comic short stories starring smart and salty workaday Southerners . . . Now counted among the titans of modern Southern storytellers, Brown lived a life that proclaimed the power of writing your own dream.â<br /> â<i><b>Garden Gun</b></i><br />  <br /> âThis collection showcases the depth of Brownâs work and his evolution as a Mississippi artist and writer.â<br /> â<i><b>Deep South Magazine</b></i><br /><br /> âThere is a stark, stripped-down quality to Brownâs writing. His language is blunt and sometimes coarse. It is the pitch-perfect voice for telling the indelible stories of these working-class men and women who strive to do right but who often prove to be their own worst enemies.â<br /> â<i><b>Atlanta Journal Constitutionâ</b></i><br />  <br /> âA thorough testament to his loving eye for rural minutiae. The details in each story . . . could only be the work of someone whoâd shared an Old Milwaukee or two with his characters . . . <i><b>Tiny Love </b></i>showcases Brownâs singular, unconditional empathy for the drunk and neglectful, the depraved but helpless, the ornery yet resignedâall the dogs that donât make it across the highway.â<br /> â<i><b>INDY Week</b></i><br /><br /> âThreads of humor and grace run through the tales of violence, infidelities, and alcoholism, masterfully introducing an unexpected compassion. Brown excels at capturing psychological complexity with spare, humane prose in an original voice that was sadly lost to us far too soon.â<br /> â<i><b>Booklist</b></i><br />  <br /> â[An] outstanding, capacious volume . . . Whether exploring the underbelly of love or the despair of editorial rejection, Brownâs stories drip with often uncomfortable detail as he describes the crass, the ugly, and the broken in ways unique and captivating.â<br /> â<i><b>Publishers Weekly</b></i><br />  <br /> âLarry Brown was a celebrated writer of the grit lit genre who wrote spare, brutal stories about hard-drinking, love-hungry barflies, Vietnam vets, hunters, bricklayers and loggers.â<br /> â<i><b>Atlanta Journal Constitution</b></i><br /><br /> âA career-spanning collection by a master of American realism . . . Compassionate and gritty and lyricalâa master class.â<br /> â<i><b>Kirkus Reviews</b></i><br /><br /> âWhen I discovered <i>Big Bad Love</i>, I went back and read everything. That man could write. He moved through life with a discerning eye and a capacity for language that I wanted. How did he do that? Story makes sense of what cannot make sense just by showing you the broken tragic heart that goes on beating. Which he did so beautifully. And with a sense of humor, Lord save us . . . I could read Larry Brown anytime, even though I know whatâs coming, even though I know heâs going to break my heart again.â<br /> â<b>Dorothy Allison, author of <i>Bastard Out of Carolina</i></b><br />                                         <br /> âLarry Brown wrote stories that captured both the beauty and the brokenness of life. He never blinked at lifeâs darkness, but drew you into it with his characters. Larry Brown wrote the way the best singers sing: with honesty, grit, and the kind of raw emotion that stabs you right in the heart. He was a singular American treasure.â<br /> â<b>Tim McGraw</b>