'...ripe with tension... tells the story of how family squabbles can become highly political when religion is involved... it stays with you.' Time Out

Explores the incredible story of Annie Besant's relationship with India and the boy who went on to become one of India's greatest teachers and thinkers - Krishnamurti. 1916: India is simmering with discontent against the Raj. Enter English proto-feminist Annie Besant, notorious at home for the match-girls' strike, political, charismatic. In India she finds a new family and a new cause. Gandhi hails her as the leader of the Congress Party after she courts imprisonment for promoting Indian Home Rule. She admires him - but can rulers ever befriend the ruled? Can Annie's great love affair with India last? ... or is she mistaken in her beliefs, politics and adoptions?
Les mer
In 1916: India is simmering with discontent against the Raj. Enter English proto-feminist Annie Besant, notorious at home for the match-girls' strike, political, charismatic. In India she finds a new family and a new cause. This book explores the story of Annie Besant's relationship with India.
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Author biography Playtext Notes on play and production by author, director, producer Vayu Naidu theatre company information Chronology of life of Annie Besant
Explores the incredible story of Annie Besant's relationship with India and the boy who went on to become one of India's greatest teachers and thinkers - Krishnamurti. 1916: India is simmering with discontent against the Raj. Enter English proto-feminist Annie Besant, notorious at home for the match-girls' strike, political, charismatic. In India she finds a new family and a new cause. Gandhi hails her as the leader of the Congress Party after she courts imprisonment for promoting Indian Home Rule. She admires him - but can rulers ever befriend the ruled? Can Annie's great love affair with India last? ... or is she mistaken in her beliefs, politics and adoptions?
Les mer
'...ripe with tension... tells the story of how family squabbles can become highly political when religion is involved... it stays with you.' Time Out
STORYTELLER Towards the end, when Amma grew frail and lay dying before my eyes, I felt that in all my years as a yogi the one thing I’d learnt and understood well was the art of letting go. Dying, death and transformation are at the heart of Lord Buddha’s teaching. ‘Buddha alone truly and fully knows the world. Indeed, it is very difficult to understand this world; although it seems true, it is not, and although, it seems false it is not’. After years of seeking knowledge, I returned, not a lot wiser, but subdued and humbled. It was the summer of 1916, I think. A.B. – her name sprang at me wherever I went. Mysterious dreams and questions nagged me. This feeling that she held the key to the future, to some secret path to knowledge took root inside me and grew stronger, until one day I just walked into my dream, and found myself knocking on her door. (Walks over to Annie’s house.) The tall building of the Theosophical Society in Madras shimmered in the sun, a white gem set against the emerald banks of the River Adyar. I’d no idea what I’d say to her… (Beat. We hear the knock.)
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Produktdetaljer

ISBN
9780955156694
Publisert
2007
Utgiver
Vendor
Aurora Metro Books
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
92

Forfatter
Foreword by

Biographical note

Rukhsana Ahmad's stage plays include: Song For Sanctuary, The Gate-Keeper's Wife, Black Shalwar, River On Fire (shortlist Susan Smith Blackburn Prize 2002), The Man Who Refused to be God, Last Chance and Partners in Crime. Radio plays and adaptations include: Song for a Sanctuary (CRE award, runner-up), An Urnful of Ashes, The Errant Gene, Nawal El Saadawi's Woman At Point Zero, Jean Rhy's Wide Sargasso Sea (shortlist CRE and Writers' Guild Award for best adaptation), R.K Narayan's The Guide and Nadeem Aslam's Maps For Lost Lovers. She also wrote for Westway and helped to create Pyaar Ka Passort for BBC World Service Trust. Her fiction includes a novel; The Hope Chest (Virago) and several short stories have been published internationally. Her translations from Urdu include We Sinful Women, and Altaf Fatima's novel, The One Who Did Not Ask. Currently she is working on Letting Go, a new play for Pursued by a Bear, and an adaptation for the BBC of Salman Rushdie's Midnight's Children.