William Blake taught us that nothing could be scarier than fairy tales for grown-ups. T.S. Eliot taught us that selfhood inheres in the desire for self-erasure. Somewhere in the wild space between these guiding poetics, Sarah Lyn Rogers’s <i>Cosmic Tantrum</i> lays a table for tea."—Rachel Feder, coauthor of <i>Astrolit: A Bibliophile's Guide to the Stars</i> <br /><br />"As its title suggests, Sarah Lyn Rogers’s <i>Cosmic Tantrum</i> brilliantly confronts society’s infantilization of women by pulling an Uno reverse. What happens when society gets the “good girl” that it asks for? These poems rage during meditations, they defy in corporate emails, they turn their brattiness up so loud that we all turn to watch their meltdowns. But in our watching, we are forced to reckon with our own discomfort with Rogers’s “outsized” anger. This book reminds us that a tantrum is often a result of our own inattention and neglect. How do we soothe the monster we’ve created?"—Taylor Byas, author of <i>I Done Clicked My Heels Three Times</i> <p> “Too much of this world’s currency / is shame,” writes Sarah Lyn Rogers, in <i>Cosmic Tantrum</i>, which frees childhood of its innocence to indict the false motives of conditional love. Flipping the language of business, fairy tale, and dissolution, Rogers rewrites girlhood to offer a refuge from domesticity. Shifting form and address to reason with Kafka, Charlie Brown, Little Edie in <i>Grey Gardens</i>, and the ghosts that haunt survival, <i>Cosmic Tantrum</i> summons mischief to banish harm." —Mattilda Bernstein Sycamore, author of <i>Touching the Art</i></p>