Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth.As human-induced environmental change threatens multispecies livability, Arts of Living on a Damaged Planet puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent “arts of living.” Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication’s two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste—in short, the wonders and terrors of an unintended epoch.Contributors: Karen Barad, U of California, Santa Cruz; Kate Brown, U of Maryland, Baltimore; Carla Freccero, U of California, Santa Cruz; Peter Funch, Aarhus U; Scott F. Gilbert, Swarthmore College; Deborah M. Gordon, Stanford U; Donna J. Haraway, U of California, Santa Cruz; Andreas Hejnol, U of Bergen, Norway; Ursula K. Le Guin; Marianne Elisabeth Lien, U of Oslo; Andrew Mathews, U of California, Santa Cruz; Margaret McFall-Ngai, U of Hawaii, Manoa; Ingrid M. Parker, U of California, Santa Cruz; Mary Louise Pratt, NYU; Anne Pringle, U of Wisconsin, Madison; Deborah Bird Rose, U of New South Wales, Sydney; Dorion Sagan; Lesley Stern, U of California, San Diego; Jens-Christian Svenning, Aarhus U.
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Can humans and other species continue to inhabit the earth together?
ContentsGhosts on a Damaged PlanetIntroduction: Haunted Landscapes of the AnthropoceneElaine Gan, Nils Bubandt, Anna Lowenhaupt Tsing, and Heather Anne Swanson1. A Garden or a Grave?: The Canyonic Landscape of the Tijuana-San Diego RegionLesley SternIn the Midst of Damage2. Marie Curie's Fingerprint: Nuclear Spelunking in the Chernobyl ZoneKate Brown3. Shimmer: When All You Love Is Being TrashedDeborah Bird RoseFootprints of the Dead4. Future Megafaunas: A Historical Perspective on the Scope for a Wilder AnthropoceneJens-Christian Svenning5. Ladders, Trees, Complexity, and Other Metaphors in Evolutionary ThinkingAndreas Hejnol6. No Small Matter: Mushroom Clouds, Ecologies of Nothingness, and Strange Topologies of SpacetimematteringKaren Barad7. Haunted Geologies: Spirits, Stones, and the Necropolitics of the AnthropoceneNils BubandtWhat Remains8. Ghostly Forms and Forest HistoriesAndrew S. Mathews9. Establishing New Worlds: The Lichens of PetershamAnne PringleCoda: Concept and ChronotopeMary Louise PrattContributorsIndexContentsMonsters and the Arts of LivingAcknowledgmentsIntroduction: Bodies Tumbled into BodiesHeather Anne Swanson, Anna Lowenhaupt Tsing, Nils Bubandt, and Elaine Gan1. Deep in AdmirationUrsula K. Le Guin Inhabiting Multispecies Bodies2. Symbiogenesis, Sympoiesis, and Art Science Activisms for Staying with the TroubleDonna Haraway 3. Noticing Microbial Worlds: The Post Modern Synthesis in BiologyMargaret McFall-NgaiBeyond Individuals4. Holobiont by Birth: Multilineage Individuals as the Concretion of Cooperative ProcessesScott F. Gilbert5. Wolf, or Homo Homini LupusCarla Freccero6. Unruly Appetites: Salmon Domestication “All the Way Down”Marianne Elisabeth Lien7. Without Planning: The Evolution of Collective Behavior in Ant ColoniesDeborah M. GordonAt the Edge of Extinction8. Synchronies at Risk: The Intertwined Lives of Horseshoe Crabs and Red Knot BirdsPeter Funch9. Remembering in Our Amnesia, Seeing in Our BlindnessIngrid M. ParkerCoda. Beautiful Monsters: Terra in the Cyanocene Dorion SaganContributorsIndex
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"Arts of Living on a Damaged Planet exposes us to the active remnants of gigantic past human errors—the ghosts—that affect the daily lives of millions of people and their co-occurring other-than-human life forms. Challenging us to look at life in new and excitingly different ways, each part of this two-sided volume is informative, fascinating, and a source of stimulation to new thoughts and activisms. I have no doubt I will return to it many times."—Michael G. Hadfield, University of Hawai‘i at Mānoa"Facing the perfect storm strangely named the Anthropocene, this book calls its readers to acknowledge and give praise to the many entangled arts of living which made this planet liveable and which are now unravelling. Grandiose guilt will not do, we need to learn noticing what we were blind to, a humble but difficult art. The unique welding of scholarship and affect achieved by the texts here assembled tells us that learning this art also means allowing oneself to be touched and induced to think and imagine by what touches us."—Isabelle Stengers, author of Cosmopolitics I and Cosmopolitics II"What an inventive, fascinating book about landscapes in the anthropocene! Between these book covers, rightside-up, upside-down, a concatenation of social science and natural science, artwork and natural science, ghosts of departed species and traces of our own human shrines to memory... Not a horror-filled glimpse at destruction but also not a hymn to romantic wilderness. Here, guided by a remarkable and remarkably diverse set of guides, we enter into our planetary environments as they stand, sometimes battered, sometimes resilient, always riveting in their human—and non-human—richness. Arts of Living On a Damaged Planet is truly a book for our time."—Peter Galison, Harvard University
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Produktdetaljer
ISBN
9781517902377
Publisert
2017-05-30
Utgiver
Vendor
University of Minnesota Press
Høyde
229 mm
Bredde
140 mm
Dybde
51 mm
Aldersnivå
01, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
368
Biographical note
Anna Lowenhaupt Tsing is professor of anthropology at the University of California, Santa Cruz, and a Niels Bohr Professor at Aarhus University in Denmark, where she codirects Aarhus University Research on the Anthropocene (AURA).
Heather Swanson is assistant professor of anthropology at Aarhus University.
Elaine Gan is art director of AURA and postdoctoral fellow at Aarhus University.
Nils Bubandt is professor of anthropology at Aarhus University, where he codirects AURA.