This volume explores the ways that computational visualisation affects practices of science, the perceptual and cognitive activities involved in scientific enquiry, and the notions of objectivity that are deployed methodologically, as well as with respect to what counts as a scientific object.

Introduction Annamaria Carusi, Aud Sissel Hoel, Timothy Webmoor and Steve Woolgar Part One: Visualization in the Age of Computerization 1. Algorithmic Alchemy, or the Work of Code in the Age of Computerized Visualization Timothy Webmoor 2. From Spade-Work to Screen-Work: New Forms of Archaeological Discovery in Digital Space Matt Edgeworth 3. British Columbia Mapped: Geology, Indigeneity, and Land in the Age of Digital Cartography Tom Schilling 4. Redistributing Representational Work: Tracing a Material Multidisciplinary Link David Ribes 5. Making the Strange Familiar: Nanotechnology Images and Their Imagined Futures Michael Lynch and Kathryn de Ridder-Vignone 6. Objectivity and Representative Practices Across Artistic and Scientific Visualization Chiara Ambrosio 7. Brains, Windows and Coordinate Systems Annamaria Carusi and Aud Sissel Hoel 8. A Four-Dimensional Cinema: Computer Graphics, Higher Dimensions, and the Geometrical Imagination Alma Steingart Part Two: Doing Visual Work in Science Studies 9. Visual STS Peter Galison 10. Expanding the Visual Registers of STS Torben Elgaard Jensen, Anders Kristian Munk, Anders Koed Madsen and Andreas Birkbak 11. Mapping Networks: Learning From the Epistemology of the "Natives" Albena Yaneva 12. Visual STS Is the Answer, What Is the Question? Anne Beaulieu 13. Visual Science Studies: Always Already Materialist Lisa Cartwright