<b>An ambitious, absorbing achievement that will make your brain hum</b>

Evening Standard

<b>Astonishing . . . I love this book</b>

- Esmé Weijun Wang, author of <i>The Collected Schizophrenias</i>,

Laing’s gift for weaving big ideas together with lyrical prose sets her alongside the likes of Arundhati Roy, John Berger and James Baldwin.<b> In other words, she is among the most significant voices of our time</b>

Financial Times

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<b>Intensely moving, vital and artful</b>

- Josh Cohen, Guardian

<b>Radically subversive</b>

The Times Literary Supplement

<b>Laing has written a piercing book.</b> That she has no final answer to the problem of freedom does not detract from her achievement. Indeed, she encourages us all to ask new questions to discover how it feels, and what it means, to be free.

- Aziz Huq, Washington Post

<b>Laing is a truly thrilling thinker, with an impressively roving intellectual eye</b>

Telegraph

Andrea Dworkin, Sontag, Malcolm X, Freud – they speak to us and come alive again, but we aren’t asked to decide if they are good or bad; we can listen to their thoughts and ideas. <b>It’s a revelation in an age when we seem endlessly to judge and condemn our artists and thinkers</b>

- Chantal Joffe, Guardian

<b>Even as she glides between subjects and themes, Laing remains anchored by the bond between the body and personhood.</b> In a standout chapter, she claims that the harm of violence is not the work it does to transform subjects into objects, but the incompletion of that work: the soul becomes a “ruin with a human face”

New Yorker

Bristles with energy and understanding as it charts the body’s pleasures and pains, its fragilities, and endurance in the long 20th century . . . <b>This really is a book for everybody</b>

- Lisa Appignanesi, author of <i>Mad, Bad and Sad</i>,

<b>A dizzying ride . . . both timely and beguiling</b>

The Sunday Times

<b>A quintessential book for the precarious moment we’ve found ourselves in</b>

Washington Post

<b>Olivia Laing writes so well and engagingly</b>

- Philippa Perry, author of <i>How to Stay Sane</i>,

<b>Olivia Laing’s mind is a thrill to watch</b>

- Alex Marzano-Lesnevich, author of <i>The Fact of a Body</i>,

Through [Laing’s] incisive lens, the body—that knot of mind, matter, culture, and society that we dwell inescapably within—becomes almost impossibly <b>fascinating</b>

- Alexandra Kleeman, author of <i>You Too Can Have a Body Like Mine</i>,

<b>A new book by Olivia Laing is always cause for celebration and <i>Everybody: A Book About Freedom</i> is no exception</b>

Frieze

<b>A provocative inquiry into the body’s power and vulnerability</b> . . . casting fresh light on the unending struggles for freedom and autonomy

- Jenn Shapland, author of <i>My Autobiography of Carson McCullers</i>,

<b>Brainy, open-hearted and bold</b>

- Sarah Schulman, author of <i>Conflict Is Not Abuse </i>and <i>Let the Record Show</i>,

<b>Laing is radically empathetic, a writer-activist</b>

Vulture

<b>A free-wheeling and joyful exploration</b>

- Jack Halberstam, author of <i>Gaga Feminism</i>,

<b>At a time in which all of our bodies have made us so strangely isolated and dangerous to each other, <i>Everybody</i> is especially resonant; and shows us just how important it is to explore our sexual identity in order to know who we really are</b>

- Julia Blackburn, author of<i> Time Songs</i>,

<b>Impassioned and provocative . . . This lucid foray into some of life’s deepest questions astonishes</b>

Publishers Weekly, starred review

<b>Intellectually vigorous and emotionally stirring</b>

Kirkus, Starred Review

<i>Everybody </i>possesses a looseness, richness, and abundance of originality . . . One does not expect a political study to perform such sharp close readings of art and literature, or to describe emotions so elegantly. Line by line and thought by thought, <b>Laing writes with surgical discipline</b>

New Yorker

'Intensely moving, vital and artful' - Guardian'A dizzying ride . . . both timely and beguiling' - Sunday TimesFrom the award-winning author of Crudo, this is an exhilarating and eminently readable study of the long struggle for bodily freedom – from gay rights and sexual liberation to feminism and the civil rights movement.Drawing on their own experiences in protest and travelling from Weimar Berlin to the prisons of McCarthy-era America, Laing grapples with some of the most significant and complicated figures of the past century, among them Nina Simone, Sigmund Freud, Susan Sontag and Malcolm X.At a time when basic rights are once again in danger, Everybody is a crucial examination of the forces arranged against freedom – and a celebration of how ordinary human bodies can resist oppression and reshape the world.Longlisted for the Rathbones Folio Prize.'An ambitious, absorbing achievement that will make your brain hum' – Evening Standard'Sets her alongside the likes of Arundhati Roy, John Berger and James Baldwin' – Financial Times
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Acclaimed author Olivia Laing examines the life of renegade psychoanalyst Wilhelm Reich to chart an electrifying course through the great freedom movements of the twentieth century.
An ambitious, absorbing achievement that will make your brain hum
The author of The Lonely City takes readers on an ambitious investigation into the body in the twentieth century, using the life of the renegade psychoanalyst Wilhelm Reich to chart an electrifying course through the great freedom movements of the era, from gay rights and sexual liberation to feminism and the civil-rights movement.
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Produktdetaljer

ISBN
9781509857128
Publisert
2022-05-26
Utgiver
Vendor
Picador
Vekt
241 gr
Høyde
197 mm
Bredde
130 mm
Dybde
24 mm
Aldersnivå
00, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
368

Forfatter

Biographical note

Olivia Laing is a widely acclaimed writer and critic. They're the author of several books, including The Lonely City, Everybody and Funny Weather. Their first novel, Crudo, was a Sunday Times top ten bestseller and won the 2019 James Tait Memorial Prize. Their work has been translated into twenty-one languages and in 2018 they were awarded a Windham-Campbell Prize for non-fiction.