Produktdetaljer
Biografisk notat
Masao Miyoshi (1928–2009) was the Hajime Mori Distinguished Professor Emeritus of Japanese, English, and Comparative Literature at the University of California, San Diego. He is the author of several books, including Off Center: Power and Culture Relations between Japan and the United States, Accomplices of Silence: The Modern Japanese Novel, and this is not here. He is a co-editor of Learning Places: The Afterlives of Area Studies, The Cultures of Globalization, and Postmodernism and Japan, all also published by Duke University Press.
Eric Cazdyn is Professor of Comparative Literature and East Asian Studies at the University of Toronto. He is the author of The Flash of Capital: Film and Geopolitics in Japan, also published by Duke University Press.
“The great range and scope of the texts compiled in this anthology and the clarity and urgency of voice and vision which characterizes Miyoshi's critique will indubitably bring his ideas and concerns to a wider audience.” - Balthazar Becker, <i>Social Text</i> “I mourn and celebrate a comrade. Here in luminous prose are the resonances: A double bind about double consciousness; a desire to keep the trivialized humanities committed to justice; a concern for the native language, for translation as active practice rather than passive convenience, for the burden of English, the political economy of globalization, and the transformation of knowledge into intellectual property; a critique of the university from within; ever mercurial, hard to situate. <i>Il miglior fabbro</i>.”-<b>Gayatri Chakravorty Spivak</b>, University Professor in the Humanities, Columbia University “Radical art, the commercialization of the university, the nation-state, Japan and the West, cultural studies, subjectivity and pronouns, ecology, the state of things from Korea to the Mexican border, or from Cardinal Newman to <i>documenta X</i>-such are the seemingly heterogeneous materials united by a commitment to an implacable unification of the aesthetic and the political, of attention to art and attention to globalization, which Miyoshi’s lifework holds out for us like an ideal.”-<b>Fredric Jameson</b>, from the foreword “There is no denying that Masao Miyoshi’s <i>Trespasses</i> is a challenging yet deeply engaging collection of the writings from a major figure in Japanese studies (and one of its most outspoken critics), who could not be hemmed in by disciplinary fences. It proves that he still has much to teach those of us who walk in his footsteps.” - Kyu Hyun Kim (Pacific Affairs) “The great range and scope of the texts complied in this anthology and the clarity and urgency of voice and vision which characterizes Miyoshi's critique will indubitably bring his ideas and concerns to a wider audience.” - Bastian Balthazar Becker (Social Text)
This volume brings together eleven selections of Miyoshi’s previously published writing, a major new essay, a critical introduction to his life and work, and an interview in which Miyoshi reflects on the trajectory of his thought and the institutional history of modern Japan studies. In the new essay, “Literary Elaborations,” he provides a masterful overview of the nature of the contemporary university, closing with a call for a global environmental protection studies that would radically reconfigure academic disciplines and merge the hard sciences with the humanities and the social sciences. In the other, chronologically arranged selections, Miyoshi addresses cross-culture relations between Japan and the United States, English literary studies in Japan, and Japan studies in the U.S., as well as the organization of urban space and the integrity of art and architecture in aggressively marketed-oriented environments. Trespasses is an invaluable introduction to the work of a fearless cultural critic.
Introduction. Trespasser: An Introduction to the Life and Work of Masao Miyoshi / Eric Cazdyn xv
Literary Elaborations 1
First-Person Pronouns in Japanese Diaries (1979) 49
The Tale of Genji: Translation as Interpretation (1979) 77
Who Decides, and Who Speaks? Shutaisei and the West in Postwar Japan (1991) 83
The Invention of English Literature in Japan (1993) 111
A Borderless World? From Colonialism to Transnationalism and the Decline of the Nation-State (1993) 127
Outside Architecture (1996) 151
"Bunburying" in the Japan Field: A Reply to Jeff Humphries (1997) 159
Art without Money: documenta X (1998) 175
Japan Is Not Interesting (1999) 189
Ivory Tower in Escrow: Ex Uno Plures (2000) 205
Turn to the Planet: Literature and Diversity, Ecology and Totality (2001) 243
A Conversation with Masao Miyoshi (2000) 263
Notes 285
Selected Works by Masao Miyoshi 331
Index 333
Produktdetaljer
Biografisk notat
Masao Miyoshi (1928–2009) was the Hajime Mori Distinguished Professor Emeritus of Japanese, English, and Comparative Literature at the University of California, San Diego. He is the author of several books, including Off Center: Power and Culture Relations between Japan and the United States, Accomplices of Silence: The Modern Japanese Novel, and this is not here. He is a co-editor of Learning Places: The Afterlives of Area Studies, The Cultures of Globalization, and Postmodernism and Japan, all also published by Duke University Press.
Eric Cazdyn is Professor of Comparative Literature and East Asian Studies at the University of Toronto. He is the author of The Flash of Capital: Film and Geopolitics in Japan, also published by Duke University Press.