âThe great range and scope of the texts compiled in this anthology and the clarity and urgency of voice and vision which characterizes Miyoshi's critique will indubitably bring his ideas and concerns to a wider audience.â - Balthazar Becker, <i>Social Text</i>
âI mourn and celebrate a comrade. Here in luminous prose are the resonances: A double bind about double consciousness; a desire to keep the trivialized humanities committed to justice; a concern for the native language, for translation as active practice rather than passive convenience, for the burden of English, the political economy of globalization, and the transformation of knowledge into intellectual property; a critique of the university from within; ever mercurial, hard to situate. <i>Il miglior fabbro</i>.ââ<b>Gayatri Chakravorty Spivak</b>, University Professor in the Humanities, Columbia University
âRadical art, the commercialization of the university, the nation-state, Japan and the West, cultural studies, subjectivity and pronouns, ecology, the state of things from Korea to the Mexican border, or from Cardinal Newman to <i>documenta X</i>âsuch are the seemingly heterogeneous materials united by a commitment to an implacable unification of the aesthetic and the political, of attention to art and attention to globalization, which Miyoshiâs lifework holds out for us like an ideal.ââ<b>Fredric Jameson</b>, from the foreword
âThere is no denying that Masao Miyoshiâs <i>Trespasses</i> is a challenging yet deeply engaging collection of the writings from a major figure in Japanese studies (and one of its most outspoken critics), who could not be hemmed in by disciplinary fences. It proves that he still has much to teach those of us who walk in his footsteps.â
- Kyu Hyun Kim, Pacific Affairs
âThe great range and scope of the texts complied in this anthology and the clarity and urgency of voice and vision which characterizes Miyoshi's critique will indubitably bring his ideas and concerns to a wider audience.â
- Bastian Balthazar Becker, Social Text
Produktdetaljer
Biographical note
Masao Miyoshi (1928â2009) was the Hajime Mori Distinguished Professor Emeritus of Japanese, English, and Comparative Literature at the University of California, San Diego. He is the author of several books, including Off Center: Power and Culture Relations between Japan and the United States, Accomplices of Silence: The Modern Japanese Novel, and this is not here. He is a co-editor of Learning Places: The Afterlives of Area Studies, The Cultures of Globalization, and Postmodernism and Japan, all also published by Duke University Press.
Eric Cazdyn is Professor of Comparative Literature and East Asian Studies at the University of Toronto. He is the author of The Flash of Capital: Film and Geopolitics in Japan, also published by Duke University Press.