Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks - U2, Toby Keith, The Dixie Chicks, Bruce Springsteen - this title interrogates the politics of a variety of post-9/11 music scenes.

Contents: Foreword; Introduction - greet death: post-9/11 music and the sound of decay, Joseph P. Fisher and Brian Flota; Part I Electric Dreams: The Medium and the Message: Rock, enroll: music and militarization since 9/11, Samuel Dwinell; Music, terrorism, response: the conditioning logic of code and networks, Benjamin J. Robertson; Technostalgia and the resurgence of cassette culture, Craig Eley. Part II Hail to the Thief: Post-9/11 Experimental Music: Why protest albums can't teach dissent: the emergent complexity of post-9/11 protest, Conrad Amenta; On a maddening loop: post-9/11 rubble music, Isaac Vayo; Terrorism and the politics of improvisation, Rob Wallace; Nine Inch Nails' Year Zero and the biopolitics of media convergence, Katheryn Wright. Part III What's Going On, Again?: Protest and Nostalgia: Casualties of war: Hip Hop and the old racial politics of the post-9/11 era, Aisha Staggers; That was now, this is then: recycling 60s style in post-9/11 music, Jeffrey Roessner; A new morning in Amerika: conservative politics and punk rock in the 2000s, Matthew Siblo; 'Agony and irony': indie culture's sardonic response to America's post-9/11 devolution, S. Todd Atchison. Part IV Idle American, American Idol: Mainstream Media and Ideology: Post-Dixie Chicks country: Carrie Underwood and the negotiation of feminist country identity, Molly Brost; Walking the great line: Underoath and Christian fundamentalism in punk rock after 9/11, Gerrit Roessler; War is heavy metal: soundtracking the US war in Iraq, Steve Waksman; Index.

'This collection conveys the passionate response by younger scholars to the cultural aspects of a crisis that has increasingly defined the world. Through looking at music beyond the arenas of the big-ticket pop stars, these papers are able to explain many of our more real and complex reactions - reflecting our own disquiet in the face of the ghosts of our own history.' Paul Attinello, Newcastle University, UK ’This book would make an interesting addition to any reading list... recommended: Upper-division undergraduates through faculty and professionals; general readers.’ Choice '... a lively and significant contribution.' Music and Letters