No one can claim that translating Barthes is easy. Nor is it easy to assemble, as Stafford and Carter have done, such a chronologically revealing series of essays, to footnote their French sources and explain the citations in them so fully, to provide a glossary of writers to help explain the evolution of Barthes's thought, and to frame the whole with a theoretically acute history of twentieth-century social theory, dress history, and his assessment by friends and foes. The Language of Fashion is paradoxically (as Barthes would say) reader-friendly but also respectful of the difficulties of his thought, an excellent advanced introduction to his writing on la mode.
- Ann Rosalind Jones, H-France Review