This book takes as its starting point recent debates over the dematerialisation of subject matter which have arisen because of changes in information technology, molecular biology, and related fields that produced a subject matter with no obvious material form or trace. Arguing against the idea that dematerialisation is a uniquely twenty-first century problem, this book looks at three situations where US patent law has already dealt with a dematerialised subject matter: nineteenth century chemical inventions, computer-related inventions in the 1970s, and biological subject matter across the twentieth century. In looking at what we can learn from these historical accounts about how the law responded to a dematerialised subject matter and the role that science and technology played in that process, this book provides a history of patentable subject matter in the United States. This title is available as Open Access on Cambridge Core.
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1. Introduction; 2. An impure law; 3. Informed Subject Matter; 4. Speculative property; 5. Intangible machines; 6. A hybrid subject matter; 7. Fabian patents; 8. Bio-legal subject matter 9. Molecular subject matter; 10. Postgenomic subject matter; 11. Conclusion.
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Discusses the dematerialisation of the invention, provides a history of patentable subject matter, and examines how law, science, and technology interact.

Produktdetaljer

ISBN
9781009479615
Publisert
2024-05-09
Utgiver
Vendor
Cambridge University Press
Vekt
590 gr
Høyde
235 mm
Bredde
158 mm
Dybde
22 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
304

Forfatter

Biographical note

Brad Sherman is ARC Laureate Fellow and Professor at the University of Queensland and a chief investigator in the ARC Centre of Excellence for Plant Success and the ARC Centre of Excellence in Synthetic Biology. His earlier books include Intellectual Property and the Design of Nature (edited with Jose Bellido, 2023), Figures of Invention (with Alain Pottage, 2010), The Making of Modern Intellectual Property Law (with Lionel Bently, 2000), and Of Author and Origins: Essays on Copyright Law (edited with Alain Strowel,1994).