[A]n innovative investigation into the relationship between the Scylla and Charybdis of the Odyssey and the southern Italian town of Scilla.

Greece and Rome

Carbone’s ethnographic approach to Homeric and Greek narratives in southern Italy can be useful for everyone who studies and teaches the artifacts and texts of the ancient Greek world...There is much anti-racist work to do, and for it to make a difference, plenty of people, from all kinds of standpoints, need to undertake such work. Carbone’s study is a model for what some of that work can look like, accomplish, and inspire.

- Catherine Connors, Arion: A Journal of the Humanities and the Classics

The book’s investigation into contemporary culture and ethnography is an excavation inside the minds, bodies, perceptions and languages of the inhabitants of the ‘scilleccariddi Region’.

The Classical Review

Se alle

This text is an exciting entry in the study of ancient Greece and antiquities. The author skillfully weaves historical analyses of Greece, Homer’s Odyssey, and ancient mythology with ethnographic considerations of the contemporary Strait of Messina. A welcomed and necessary study of the significance of ancient Greek mythology in the contemporary world.

- Scott A. Lukas, Professor of Anthropology, Lake Tahoe Community College, USA,

Turning to a region of South Italy associated with Greater Greece and the geographies of Homer's Odyssey, Marco Benoît Carbone delivers a historical and ethnographic treatment of how places defined in public imagination and media by their associated histories become sites of memory and identity, as their landscape and mythologies turn into insignia of a romanticised antiquity. For the ancient Greeks, Homer had set the marine monsters of the Odyssey in the Strait between Calabria and Sicily. Since then, this passage has been glowing with the aura of its mythological landmarks. Travellers and tourists have played Odysseus by re-enacting his journey. Scholars and explorers have explained the myths as metaphors of whirlpools and marine fauna. The iconic Strait and village of Scilla have turned into place-myths and playgrounds, defined by the region's heritage. Carbone observes the enduring impact of Hellas on the real Strait today. The continuous rekindling of cultural and visual traditions of place in the arts, media, travel, and tourism have intersected with philhellenic historiographies, shaping local policies, public histories, views of development, and forms of Hellenicist identitarianism. Elements of society have celebrated the landscape of the Odyssey, appropriated Homer as their imagined heirs, and purported themselves as the original Europeans–pandering to outdated ideological appropriations of 'classical' antiquity and exclusionary, West-centric views of the Mediterranean.
Les mer
Introduction Notes on Places and People List of Illustrations 1. The Strait of Homer and the Strait of Reality 2. Chronotopes of Hellas: The Grand Tour 3. Mediterranean Place-Myths 4. Myth of Myths: Mapping the Odyssey 5. Materialising Heritage: Tourism in Scilla 6. Denizens of the Odyssey 7. Conclusions: (Re)-Imagining the Strait Notes Bibliography Index
Les mer
An exploration of the impact of antiquity on popular culture centred on the Strait of Messina, traditionally the location for Scylla and Charybdis.
Focuses on a geographical location to elucidate a multitude of classical receptions in heritage and popular culture
This series broadens our understanding of the receptions of antiquity in the visual and performing arts. A particular focus is on the 20th and 21st centuries and on various media, such as films, comics, video games, advertising, digital media, design, fashion, music performances and theme parks, as well as on multi-, inter- and transmedial forms of reception, challenging traditional, and still very widespread, assumptions that distinguish ‘high’ from ‘popular culture’. While the focus of the series is placed on Mediterranean antiquity, it also considers the receptions of ancient times from all regions of global history. The series is the product of a continuous dialogue between scholars on the one side, and ‘producers’ of classical reception – painters, sculptors, photographers, architects and designers – on the other, who write about their mechanisms of appropriation of the ancient world. Through its broad range of topics and editorial forms, IMAGINES represents an established and internationally recognized publication platform for studies on how ancient cultures, people and events were and are represented and performed all over the world.
Les mer

Produktdetaljer

ISBN
9781350118188
Publisert
2022-02-10
Utgiver
Vendor
Bloomsbury Academic
Vekt
562 gr
Høyde
234 mm
Bredde
156 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
280

Biographical note

Marco Benoît Carbone is Senior Lecturer in Intercultural Studies at Brunel University, UK. He has received his PhD and worked as a Teaching Assistant at University College London, UK. He specialises in ethnographic methods of social research.