<p>‘<em>The Free World</em> sparkles. Fully original, beautifully written’ <em>New York Times </em></p>
<p>‘Like a great novelist, he creates a world’ Fintan O’Toole, <em>The New York Review of Books</em></p>
<p>‘Elegantly written, entertaining and bursting with information . . . [Menand] has undertaken what few writers of intellectual history would dare to do’ Marjorie Perloff, <em>TLS</em></p>
<p>’<em>The Free World</em> is a finely balanced book: not a history of culture as a reflection of cold war ideology, but a history of the culture that happened all around it. A starry cast of characters – from George Orwell and John Lennon to Betty Friedan and Malcolm X, Hannah Arendt and Jack Kerouac – bring personality to one of the most fascinating periods in western culture whose ideas of freedom are still felt profoundly today’ Alex von Tunzelmann, <em>Financial Times</em></p>
<p>‘<em>The Free World</em> is an engrossing and often revelatory book, a capacious, ambitious, and wonderfully crafted synthesis of intellectual and cultural histor’ Jack Hamilton, <em>Slate</em></p>
<p>‘Menand is a genial hand-holder and amazingly good company’ Leo Robinson, <em>Prospect</em></p>
<p>‘Masterful, and exhibits such brilliant writing and exhaustive research . . . I learned so much’ Mark Greif, <em>The Atlantic</em></p>
<p>‘An engrossing and impossibly wide-ranging project . . . In <em>The Free World</em>, every seat is a good one’ Carlos Lozada, <em>The Washington Post</em></p>

Shortlisted for the PEN Hessell-Tiltman Prize 2022

Longlisted for the 2021 National Book Award for Nonfiction

The Cold War was not just a contest of power. It was also about ideas, in the broadest sense – economic and political, artistic and personal.

In The Free World, the acclaimed Pulitzer Prize–winning scholar and critic Louis Menand tells the story of American culture in the pivotal years from the end of World War II to Vietnam and stresses the rich flow of ideas across the Atlantic.

How did elitism and an anti-totalitarian scepticism of passion and ideology give way to a new sensibility defined by experimentation and loving the Beatles? How was the ideal of ‘freedom’ applied to causes that ranged from anti-communism and civil rights to radical acts of self-creation via art and even crime? With the wit and insight familiar to readers of The Metaphysical Club, Menand takes us inside Hannah Arendt’s Manhattan, the Paris of Jean-Paul Sartre and Simone de Beauvoir and the post-war vogue for French existentialism, structuralism and post-structuralism.

He also shows how Europeans played a vital role in promoting and influencing American art and thought, revealing how America’s once neglected culture became respected and adored. With unprecedented verve and range, this book offers a masterly account of the main characters and minor figures who played part in shaping the post-war world of art and thought.

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Shortlisted for the PEN Hessell-Tiltman Prize 2022

Longlisted for the 2021 National Book Award for Nonfiction

The Cold War was not just a contest of power. It was also about ideas, in the broadest sense – economic and political, artistic and personal.

Les mer

Competition: Set the night on fire; Lenin’s tomb; The Cold War; The Story of the Jews; At the Existentialist Café;Discovering Modernism;The Spy and the Traitor. Mike Davis, David Remnick, Philip Gourevitch, JL Gaddis, Eric Hobsbawm, Simon Schama, Felipe Fernandez-Armesto, Roy Porter; Sarah Bakewell

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Produktdetaljer

ISBN
9780007126880
Publisert
2022-08-18
Utgiver
Vendor
Fourth Estate Ltd
Vekt
580 gr
Høyde
198 mm
Bredde
129 mm
Dybde
53 mm
Aldersnivå
00, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
880

Forfatter

Biographical note

Louis Menand is Professor of English at Harvard University and a staff writer at The New Yorker. His books include The Metaphysical Club, which won the Pulitzer Prize in history and the Francis Parkman Prize from the Society of American Historians. In 2016, he was awarded the National Humanities Medal by President Barack Obama.