Offers a philosophical meditation on humanity's flight from moral and spiritual autonomy and our resulting loss of self and creativity. This volume locates the human abdication of responsibility in organized religion and its ability to turn the sacred into the sacrificial.

List of Illustrations Translator's Preface Author's Preface Acknowledgments Introduction. The Fear of Freedom and the Eternal Tendency Toward Fascism, by Stanislao G. Pugliese Chronology of Carlo Levi's Life 1. Ab Jove Principium 2. Sacrifice 3. Love Sacred and Profane 4. Slavery 5. The Muses 6. Blood 7. Mass 8. Sacred History Fear of Painting Select Bibliography

Carlo Levi affirms the aversion against the abstractly ferocious State, which makes people an indistinct material unity and enslaves them; he also criticizes religion, which only creates myths and rituals in place of the sacred. For the author, freedom is consciousness of reality, it is knowledge. To avoid the loss of autonomy and the independence of individuals and society, it is necessary to interrogate ourselves constantly on the meaning of freedom. The concept of freedom must continuously be rethought through social and cultural forces: only in this way can humanity indeed be free of fear. -- Valdo Spini, member of the Italian Parliament and president of the Fondazione Circolo Rosselli, Florence Fear of Freedom is Carlo Levi's provocative and challenging meditation on the apparent disintegration of Western civilization. This new edition of Levi's seminal work is enhanced by Stanislao G. Pugliese's lucid introduction. A valuable guide to Levi's intellectual development and to his timeless analysis of fascism, which foreshadows the work of such social critics as Umberto Eco and Susan Sontag. -- Lawrence Baldassaro, professor of Italian and director, Honors College, University of Wisconsin-Milwaukee Fear of Freedom was the first book Carlo Levi wrote. It laid the groundwork for all his future writings and is indispensable for a thorough understanding of the subtleties of not only his novels, Christ Stopped at Eboli and The Watch, but also his travelogues and his journalism. For anyone wanting to go beyond the surface of this deceptively complex figure, Adolphe Gourevitch's translation and Stanislao G. Pugliese's full introduction are a very welcome and precious resource. -- David Ward, professor of Italian and chair, Department of Italian Studies, Wellesley College