During the period of the Baroque and Enlightenment the word “emotion”, denoting passions and feelings, came into usage, albeit in an irregular fashion. “Emotion” ultimately emerged as a term in its own right, and evolved in English from meaning physical agitation to describe mental feeling. However, the older terminology of “passions” and “affections” continued as the dominant discourse structuring thinking about feeling and its wider religious, political, social, economic, and moral imperatives. The emotional cultures described in these essays enable some comparative discussion about the history of emotions, and particularly the causes and consequences of emotional change in the larger cultural contexts of the Baroque and Enlightenment. Emotions research has enabled a rethinking of dominant narratives of the period—of histories of revolution, state-building, the rise of the public sphere, religious and scientific transformation, and more. As a new and dynamic field, the essays here are just the beginning of a much bigger history of emotions.
Les mer
List of IllustrationsSeries Editors' PrefaceIntroduction, Katie Barclay (University of Adelaide, Australia), David Lemmings (University of Adelaide, Australia) and Claire Walker (University of Adelaide, Australia)1. Medical and Scientific Understandings, Stephen Pender (University of Windsor, Canada)2. Religion and Spirituality, Giovanni Tarantino (University of Western Australia, Australia)3. Music and Dance, Tim Carter (University of North Carolina at Chapel Hill, USA)4. Drama, Peter Holbrook (University of Queensland, Australia)5. The Visual Arts, Lisa Beaven (University of Melbourne, Australia) 6. Literature, John D. Staines (John Jay College, City University of New York, USA)7. In Private: The Individual and the Domestic Community, Laura Alston (University of Sheffield, UK) and Karen Harvey (University of Birmingham, UK)8. In Public: Collectivities and Polities, Brian Cowan (McGill University, Canada)Notes BibliographyNotes on Contributors Index
Les mer
A comprehensive, thematic reference work covering the cultural history of the emotions in the Baroque and Enlightenment era.
Volume 4 in the first period by period overview of this rapidly expanding field of study and research; this volume is also available as part of the 6-volume set
The Cultural Histories are multi-volume sets that survey the social and cultural construction of specific subjects across six historical periods, broadly: - Antiquity- The Medieval Age- The Renaissance- The Age of Enlightenment- The Age of Empire- The Modern AgeThe subjects covered range from Animals to Dress and Fashion, from Sport to Furniture, from Money to Fairy Tales. Each volume discusses the same themes in its chapters so that readers may gain an understanding of a period by reading an entire volume, or follow a theme through history by reading the relevant chapter in each volume. Each six-volume set is illustrated. Titles are available as printed sets for libraries needing just one subject or preferring a one-off purchase and tangible reference for their shelves, or as part of a fully searchable digital library available to institutions by annual subscription or perpetual access (see www.bloomsburyculturalhistory.com).PRAISE FOR THE SERIESA Cultural History of Dress and Fashion“Intriguing, surprising, and thought-provoking essays covering many cultural layers of dress history.”CHOICEA Cultural History of Fairy Tales“A comprehensive treatise that belongs in every academic library concerned with a form of literature that has had broad appeal for centuries and continues to do so.”CHOICEA Cultural History of Hair“A thick, tangled and deliciously idiosyncratic history of hair.”Times Literary SupplementA Cultural History of Law“These introductions should be of great use to scholars from across the periods.”Law & LiteratureA Cultural History of Peace“The set is a good introduction to the study of peace and encourages looking at world history in a new way.”CHOICEA Cultural History of Theatre“All six volumes are aesthetically attractive, with well-chosen cover illustrations in color and numerous halftones throughout. Page layouts with wide margins, good paper, subtitles, generous bibliographies, notes, and index all add to the appeal.”CHOICEA Cultural History of Tragedy“A highly contemporary work, alert to politics, social theory and sexuality.”London Review of BooksA Cultural History of Western Empires“Students seeking a comparative, interdisciplinary, and compelling account of the spread of Western empires will find much of interest here.”CHOICEA Cultural History of Work“[Programs] such as economics, American and world history, women’s studies, and art history will benefit from the information herein.”American Reference Books Annual
Les mer
Produktdetaljer
ISBN
9781350345249
Publisert
2022-09-22
Utgiver
Vendor
Bloomsbury Academic
Høyde
244 mm
Bredde
169 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
232
Biographical note
Katie Barclay is Senior Research Fellow in the ARC Centre of Excellence for the History of Emotions and Senior Lecturer in History at the University of Adelaide, Australia. She co-edits (with Andrew Lynch) the journal Emotions: History, Culture, Society.
David Lemmings is Professor of History at the University of Adelaide, Australia, and Leader of the Change Programme of the ARC Centre of Excellence for the History of Emotions. He co-edits (with William Reddy) the series Palgrave Studies in the History of Emotions.
Claire Walker is Senior Lecturer in History at the University of Adelaide, Australia, and Deputy Director of the Adelaide node of the ARC Centre of Excellence for the History of Emotions.