[<i>Chicanx Utopias</i>] opens new doors for understanding the complicated relationships that exist among television, film, music, art, people, politics, and social movements from the post-World War II years to the 2000s...This book is a valuable addition to the various conversations happening in Latinx/Chicanx studies, ethnic studies, cultural studies and many other disciplines.

Southwestern Historical Quarterly

Alvarez’s focus on utopias is a fresh take on Chicanx cultural history...Alvarez’s expansive interdisciplinary scholarship—covering over five decades of Chicanx popular culture—makes <i>Chicanx Utopias</i> an important addition to the fields of Chicanx cultural studies, Chicanx history, and pop culture studies, and to the scholarship on utopias.

Aztlán: A Journal of Chicano Studies

[Alvarez] provides a passionate, in-depth analysis of the social impact of these cultural productions, incorporating historical accounts, film assessments, and primary materials. An insightful analysis of Chicanx pop culture, this volume is sure to inspire new directions in future research on this subject. Every library should obtain a copy for its Chicanx studies and ethnic studies collections.

CHOICE

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A comprehensive source on Chicanx popular culture... The book seems to be resourceful both for those interested in Chicanx (pop) culture and politics as well as for those studying the general connection between the media and political discourse. Furthermore, the book not only is a well-researched academic source contributing to the relevant literature but also proves to be an easy-to-follow read for the more casual reader.

H-Net Reviews

2023 Honorable Mention Best History Book, International Latino Book Awards Broad and encompassing examination of Chicanx popular culture since World War II and the utopian visions it articulated Amid the rise of neoliberalism, globalization, and movements for civil rights and global justice in the post–World War II era, Chicanxs in film, music, television, and art weaponized culture to combat often oppressive economic and political conditions. They envisioned utopias that, even if never fully realized, reimagined the world and linked seemingly disparate people and places. In the latter half of the twentieth century, Chicanx popular culture forged a politics of the possible and gave rise to utopian dreams that sprang from everyday experiences. In Chicanx Utopias, Luis Alvarez offers a broad study of these utopian visions from the 1950s to the 2000s. Probing the film Salt of the Earth, brown-eyed soul music, sitcoms, poster art, and borderlands reggae music, he examines how Chicanx pop culture, capable of both liberation and exploitation, fostered interracial and transnational identities, engaged social movements, and produced varied utopian visions with divergent possibilities and limits. Grounded in the theoretical frameworks of Walter Benjamin, Stuart Hall, and the Zapatista movement, this book reveals how Chicanxs articulated pop cultural utopias to make sense of, challenge, and improve the worlds they inhabited.
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Exploring race, politics, Chicanx history, and social movements, this book offers a broad and encompassing examination of Chicanx popular culture since World War II and the utopian visions it articulated.
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Introduction Chapter 1. Salt of the Earth Chapter 2. Brown-Eyed Soul Chapter 3. Chico and Kotter Chapter 4. No Human Being Is Illegal Chapter 5. Border Reggae Coda: Ngātahi Acknowledgments Notes Bibliography Index
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[Chicanx Utopias] opens new doors for understanding the complicated relationships that exist among television, film, music, art, people, politics, and social movements from the post-World War II years to the 2000s...This book is a valuable addition to the various conversations happening in Latinx/Chicanx studies, ethnic studies, cultural studies and many other disciplines.
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Chicanx Utopias moves like a musical score with break beats, pauses, and time changes, that is, a score that moves across genres of pop culture—TV, movies, theater, and frontera soundscapes. It is a cultural history of a radical imaginary that demonstrates that these dreams and imaginaries always contained the seeds of possible new worlds. Luis Alvarez brings Chicana/o/x studies in conversation with the vast, complicated, and often contradictory literatures on utopia—readers will buzz over this study and scholars will be inspired by this book’s transformative achievements.
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Produktdetaljer

ISBN
9781477324479
Publisert
2022-03-29
Utgiver
Vendor
University of Texas Press
Høyde
229 mm
Bredde
152 mm
Dybde
30 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
256

Forfatter

Biographical note

Luis Alvarez is an associate professor of history at the University of California, San Diego. He is the author of The Power of the Zoot: Youth Culture and Resistance during World War II.