Employing rigorous analysis and lively narrative alongside specially commissioned artwork, this study casts new light on the rivalry between two vessels of war in the Mediterranean.For four hundred years the Byzantine Empire’s naval forces vied with the warships of the Islamic world for mastery of the Mediterranean. At the heart of this confrontation were the fighting vessels of the two powers, the Byzantine dromon and the Arabic shalandi, both oared warships. In those four centuries of warfare between two major maritime powers, both the Byzantines and the Arabs left us records of their doctrine and tactics, as well as of how their ships were built.Featuring full-colour artwork and rigorous analysis from an authority on naval warfare, this enthralling book offers a glimpse of the long-lost world of war at sea in the age of Byzantium.
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Employing rigorous analysis and lively narrative alongside specially commissioned artwork, this study casts new light on the rivalry between two vessels of war in the Mediterranean.
IntroductionChronologyThe Strategic SituationDesign and DevelopmentTechnical SpecificationsThe CombatantsCombatAnalysisAftermathFurther ReadingIndex
Employing rigorous analysis and lively narrative alongside specially commissioned artwork, this study casts new light on the rivalry between two vessels of war in the Mediterranean.

Produktdetaljer

ISBN
9781472807571
Publisert
2015-01-20
Utgiver
Vendor
Osprey Publishing
Vekt
265 gr
Høyde
248 mm
Bredde
184 mm
Dybde
8 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
80

Forfatter
Illustratør

Biographical note

Angus Konstam hails from the Orkney Islands, and is the author of over 50 books, the majority of which are published by Osprey. A former naval officer and museum professional, he worked as the Curator of Weapons at the Tower of London and as the Chief Curator of the Mel Fisher Maritime Museum in Key West, Florida.

Peter Dennis was born in 1950. Inspired by contemporary magazines such as Look and Learn he studied illustration at Liverpool Art College. Peter has since contributed to hundreds of books, predominantly on historical subjects, including many Osprey titles.