"A highly stimulating study of the (dis)continuities of colonial discourses of race and gender into the framework of transnational solidarity inspired by the Bandung spirit. . . . Burton’s book offers a major contribution to our understanding of how India imagined Africa (and, consequently, itself as an independent nation state) and raises the important challenge of re-thinking and complicating the postcolonial histories of Afro-Asian connections."

- Luca Raimondi, African Studies Quarterly

"[Burton's] work implores scholars to locate new archives and tell more nuanced interpretations of the global south. She also encourages readers to reconsider the significance of race and gender in challenging and at times undermining the rhetorical and material projects developed under the banner of Afro-Asianism. Burton’s work will certainly stimulate a robust and welcome debate."

- Michele Louro, Canadian Journal of History

"The book makes powerful theoretical contributions by desegregating Indian and African histories across the postcolonial Indian Ocean region, infusing their study with feminist historical methods, and writing race into geopolitics."

- Ned Bertz, Journal of African History

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"Ambitious and theoretically rigorous. . . . Burton engages with an impressive range of scholarship as she complicates our understanding of Indian-African interactions and raises larger issues dealing with the legacy of imperialism and the development of the postcolonial state."

- Timothy Nicholson, Ufahamu

“Antoinette Burton is a master historian, who has proven her skill and craft time and again. In this volume, she presents four individual essays with thoughtful nuance, highlighting the presence of complex relationships of race, gender, and politics between different groups of disenfranchised people.”

- Jyoti Mohan, H-Empire, H-Net Reviews

In Africa in the Indian Imagination Antoinette Burton reframes our understanding of the postcolonial Afro-Asian solidarity that emerged from the 1955 Bandung conference. Afro-Asian solidarity is best understood, Burton contends, by using friction as a lens to expose the racial, class, gender, sexuality, caste, and political tensions throughout the postcolonial global South. Focusing on India's imagined relationship with Africa, Burton historicizes Africa's role in the emergence of a coherent postcolonial Indian identity. She shows how—despite Bandung's rhetoric of equality and brotherhood—Indian identity echoed colonial racial hierarchies in its subordination of Africans and blackness. Underscoring Indian anxiety over Africa and challenging the narratives and dearly held assumptions that presume a sentimentalized, nostalgic, and fraternal history of Afro-Asian solidarity, Burton demonstrates the continued need for anti-heroic, vexed, and fractious postcolonial critique.  
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Antoinette Burton challenges nostalgic narratives of the Afro-Asian solidarity that emerged from the 1955 Bandung conference by showing how postcolonial Indian identity was based on the subordination of Africans and blackness.
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Foreword / Isabel Hofmeyr  viii Acknowledgments  xiii Introduction. Citing/Siting Africa in the Indian Postcolonial Imagination  1 1. "Every Secret Thing"? Racial Politics in Ansuyah R. Singh's Behold the Earth Mourns (1960)  27 2. Race and the Politics of Position: Above and Below in Frank Moraes' The Importance of Being Black (1965)  57 3. Fictions of Postcolonial Development: Race, Intimacy and Afro-Asian Solidarity in Chanakya Sen's The Morning After (1973)  89 4. Hands and Feed: Phyllis Naidoo's Impressions of Anti-apartheid History (2002-2006)  123 Epilogue  167 Index 173
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"In Africa in the Indian Imagination imperial historian Antoinette Burton turns her acute moral and analytical attentions to how twentieth-century Indian nationalists used Africa and Africans as reference points for imagining an independent identity. Africa in the Indian Imagination consolidates and extends Burton’s fine skills as postcolonial diagnostician and adds important conceptual devices to the toolbox of geopolitical historiography, not least 'solidarity through friction,' 'tense and tender relations,' and 'postcolonial citation' itself. Powerfully acting on its own injunction to provincialize empire by crossing postcolonial with feminist critique, Burton’s bold and important study redraws the map of inter-cultural relations and trans-nationalist collaboration in the twentieth century."
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Produktdetaljer

ISBN
9780822361671
Publisert
2016-04-01
Utgiver
Vendor
Duke University Press
Vekt
249 gr
Høyde
216 mm
Bredde
140 mm
AldersnivĂĽ
P, 06
SprĂĽk
Product language
Engelsk
Format
Product format
Heftet

Forfatter

Biographical note

Antoinette Burton is Professor of History and Catherine C. and Bruce A. Bastian Professor of Global and Transnational Studies at the University of Illinois, Urbana-Champaign. She has written and edited many books, including Ten Books That Shaped the British Empire: Creating an Imperial Commons, Postcolonial Studies and Beyond, and A Primer for Teaching World History: Ten Design Principles, all also published by Duke University Press.

Isabel Hofmeyr is Professor of African Literature at the University of the Witwatersrand, Johannesburg and the author of Gandhi's Printing Press: Experiments in Slow Reading.