<i>Spectacular Logic in Hegel and Debord</i> both contributes to this restoration and offers some revisions of the studies that preceded it. But in doing so, it provides far more than a mere analysis of Hegel’s influence on Debord.

Marx & Philosophy Review of Books

Eric-John Russell is a brilliant and ingenious young writer and critic who needs and deserves to be heard; it takes courage to listen. Find it.

Robert Hullot-Kentor, Founding Chair, Critical Theory and the Arts, School of Visual Arts, New York, USA

Debord was at risk of getting reduced to a media theorist or an appendix to historical avant-gardes, fashionable and superseded at the same time. Russell's book helps to put Debord in his right place in the history of critical thought, especially by pointing out his advancement of Hegel's philosophy. By utilizing hitherto unpublished material from the Guy Debord archive at the Bibliothèque nationale de France, Russell upholds with exacting detail and formidable prowess Debord's concept of the spectacle as a critical theory of society.

Anselm Jappe, Professor of Philosophy, Accademia di Belle Arti di Sassari, Italy

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This book makes a serious and valuable contribution to the study of Debord’s work. It demonstrates that his theory of ‘spectacle’ is not just a critique of the mass media, but rather a nuanced Hegelian social ontology that echoes some of the Frankfurt School’s central concerns. Recommended.

Tom Bunyard, Senior Lecturer in Philosophy, University of Brighton, UK

Revisiting Guy Debord’s seminal work, The Society of the Spectacle (1967), Eric-John Russell breathes new life into a text which directly preceded and informed the revolutionary fervour of May 1968. Deepening the analysis between Debord and Marx by revealing the centrality of Hegel’s speculative logic to both, he traces Debord’s intellectual debt to Hegel in a way that treads new ground for critical theory. Drawing extensively from The Phenomenology of Spirit (1807) and Science of Logic (1812), this book illustrates the lasting impact of Debord’s critical theory of 20th-century capitalism and reveals new possibilities for the critique of capitalism.
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List of Illustrations Acknowledgements Foreword: Heretic Hegelianism, by Étienne Balibar Introduction Chapter 1. The Truth of the Spectacle Chapter 2. The Speculative of the Spectacle Chapter 3. The Value of the Spectacle Chapter 4. The Reflection of the Spectacle Chapter 5. The Essence of the Spectacle Chapter 6. The Concept of the Spectacle Appendix: The Society of the Spectacle and Its Time References
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Spectacular Logic in Hegel and Debord both contributes to this restoration and offers some revisions of the studies that preceded it. But in doing so, it provides far more than a mere analysis of Hegel’s influence on Debord.
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A philosophical reconstruction of Guy Debord’s The Society of the Spectacle (1967) traced through Marx’s critique of political economy and Hegel’s speculative philosophy.
Situates Debord’s Society of the Spectacle (1967) as integral to critical theory of 20th century capitalism via Marx’s critique of political economy and Hegel’s speculative philosophy
In a time marked by crises and the rise of right-wing authoritarian populism, Critical Theory and the Critique of Society intends to renew the critical theory of capitalist society exemplified by the Frankfurt School and critical Marxism’s critiques of social domination, authoritarianism, and social regression by expounding the development of such a notion of critical theory, from its founding thinkers, through its subterranean and parallel strands of development, to its contemporary formulations. Editorial Board: Amy De’ath, Contemporary Literature and Culture, King’s College London Bev Best, Sociology, Concordia University Cat Moir, Germanic Studies, University of Sydney Charlotte Baumann, Philosophy, Sussex/TU Berlin Christian Lotz, Philosophy, Michigan State University Claudia Leeb, Political Science, Washington State University Dimitra Kotouza, Education, University of Lincoln Dirk Braunstein, Institute of Social Research, Frankfurt Duy Lap Nguyen, Modern and Classical Languages, University of Houston Edith Gonzalez, Humanities, Universidad Intercultural del Estado de Puebla, México Elena Louisa Lange, Japanese Studies/Philology and Philosophy, University of Zurich John Abromeit, History, SUNY, Buffalo State, USA Jordi Maiso, Philosophy, Complutense University of Madrid José Antonio Zamora Zaragoza, Philosophy, Spain Kirstin Munro, Political Science, University of Texas, Rio Grande Marcel Stoetzler, Sociology, University of Bangor Marina Vishmidt, Cultural Studies, Goldsmiths University Mathias Nilges, Literature, St Xavier University Matthias Rothe, German, University of Minnesota Moishe Postone†, History, University of Chicago Patrick Murray, Philosophy, Creighton University Rochelle Duford, Philosophy, University of Hartford Sami Khatib, Art, Leuphana University Samir Gandesha, Humanities, Simon Fraser University Verena Erlenbusch, Philosophy, University of Memphis
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Produktdetaljer

ISBN
9781350157637
Publisert
2021-03-11
Utgiver
Vendor
Bloomsbury Academic
Vekt
558 gr
Høyde
234 mm
Bredde
156 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
272

Forfatter
Foreword by

Biographical note

Eric-John Russell is a researcher specializing in the areas of German Idealism, Hegelian Marxism and Frankfurt School Critical Theory. He is Editor in Chief of the Marx & Philosophy Review of Books and a founding editor of Cured Quail.