"Among the vast body of scholarship that explores the Kantian theory of space, none does so with greater urgency, concision, and wit than Kant in the Land of Extraterrestrials. It is especially innovative not only in its examination of the theme of extraterritoriality but also in its staging of the confrontation between Kant and Schmitt over the origin and fate of so-called outer space." -- -Peter Fenves Northwestern University "Kant in the Land of Extraterrestrials charts an original and compelling path from Schmitt to Kant, science fiction and Derrida, bringing to light the fantastical yet persistently unsettling role played by fictions of extraterritoriality in the philosophical elaboration of modern cosmopolitanism." -- -Daniel Heller-Roazen Princeton University "Regardless of whether Kant really believed in little green men, Kant in the Land of Extraterrestrials is a timely contribution to a bourgeoning field of inquiry." -Journal of the Fantastic in the Arts

“Yes, Kant did indeed speak of extraterrestrials.” This phrase could provide the opening for this brief treatise of philosofiction (as one speaks of science fiction). What is revealed in the aliens of which Kant speaks—and he no doubt took them more seriously than anyone else in the history of philosophy—are the limits of globalization, or what Kant called cosmopolitanism. Before engaging Kantian considerations of the inhabitants of other worlds, before comprehending his reasoned alienology, this book works its way through an analysis of the star wars raging above our heads in the guise of international treaties regulating the law of space, including the cosmopirates that Carl Schmitt sometimes mentions in his late writings. Turning to track the comings and goings of extraterrestrials in Kant’s work, Szendy reveals that they are the necessary condition for an unattainable definition of humanity. Impossible to represent, escaping any possible experience, they are nonetheless inscribed both at the heart of the sensible and as an Archimedean point from whose perspective the interweavings of the sensible can be viewed. Reading Kant in dialogue with science fiction films (films he seems already to have seen) involves making him speak of questions now pressing in upon us: our endangered planet, ecology, a war of the worlds. But it also means attempting to think, with or beyond Kant, what a point of view might be.
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Kant has taken seriously, as no one else in the history of philosophy did, the existence of extraterrestrials. Their central role in his thought allows for a new approach of cosmopolitanism, in a tight dialogue with Carl Schmitt. At stake is a geopolitics of the sensible.
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Contents 1. A Little Bit of Tourism 2. Star Wars 3. Kant in the Land of Extraterrestrials 4. Cosmetics and Cosmopolitics 5. Weightlessness (The Archimedean Point of the Sensible) 6. Postface: What's Left of Cosmopolitanism? Notes
Les mer
"Among the vast body of scholarship that explores the Kantian theory of space, none does so with greater urgency, concision, and wit than Kant in the Land of Extraterrestrials. It is especially innovative not only in its examination of the theme of extraterritoriality but also in its staging of the confrontation between Kant and Schmitt over the origin and fate of so-called outer space." -- -Peter Fenves Northwestern University "Kant in the Land of Extraterrestrials charts an original and compelling path from Schmitt to Kant, science fiction and Derrida, bringing to light the fantastical yet persistently unsettling role played by fictions of extraterritoriality in the philosophical elaboration of modern cosmopolitanism." -- -Daniel Heller-Roazen Princeton University "Regardless of whether Kant really believed in little green men, Kant in the Land of Extraterrestrials is a timely contribution to a bourgeoning field of inquiry." -Journal of the Fantastic in the Arts
Les mer
Among the vast body of scholarship that explores the Kantian theory of space, none does so with greater urgency, concision, and wit than Kant in the Land of Extraterrestrials. It is especially innovative not only in its examination of the theme of extraterritoriality but also in its staging of the confrontation between Kant and Schmitt over the origin and fate of so-called outer space.---—Peter Fenves, Northwestern University
Les mer
A witty and probing account of Kant's political and anthropological theory that makes convincing and fascinating excursions through untraditional philosophical territory such as science fiction films.

Produktdetaljer

ISBN
9780823255498
Publisert
2013-09-02
Utgiver
Vendor
Fordham University Press
Høyde
216 mm
Bredde
140 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
192

Forfatter
Oversetter

Biographical note

Peter Szendy is David Herlihy Professor of Humanities and Comparative Literature at Brown University and musicological advisor for the concert programs at the Paris Philharmonie. His books include Of Stigmatology: Punctuation as Experience; All Ears: The Aesthetics of Espionage; Apocalypse-Cinema: 2012 and Other Ends of the World; Kant in the Land of Extraterrestrials; Hits: Philosophy in the Jukebox; and Listen: A History of Our Ears..