Radical critic of a European civilization plunging into darkness, yet commemorator of the humane traditions of the old bourgeoisie--such was Walter Benjamin in the later 1930s. This volume, the third in a four-volume set, offers twenty-seven brilliant pieces, nineteen of which have never before been translated.

Paris Old and New, 1935 Brecht's Threepenny Novel Johann Jakob Bachofen Conversation above the Corso: Recollections of Carnival-Time in Nice Paris, the Capital of the Nineteenth Century Exchange with Theodor W. Adorno on the Essay "Paris, the Capital of the Nineteenth Century" Problems in the Sociology of Language: An Overview The Formula in Which the Dialectical Structure of Film Finds Expression Rastelli's Story Art In a Technological Age, 1936 The Work of Art in the Age of Its Technological Reproducibility: Second Version A Different Utopian Will The Significance of Beautiful Semblance The Signatures of the Age Theory of Distraction The Storyteller: Observations on the Works of Nikolai Leskov German Men and Women: A Sequence of Letters Letter from Paris (2): Painting and Photography Translation-For and Against The Knowledge That the First Material on Which the Mimetic Faculty Tested Itself Dialectics and History, 1937 Addendum to the Brecht Commentary: The Threepenny Opera Eduard Fuchs, Collector and Historian Fruits of Exile, 1938 (Part 1) Theological-Political Fragment A German Institute for Independent Research Review of Brod's Franz Kafka Letter to Gershom Scholem on Franz Kafka The Land Where the Proletariat May Not Be Mentioned: The Premiere of Eight One-Act Plays by Brecht Diary Entries, 1938 Berlin Childhood around 1900 A Note on the Texts Chronology, 1935-1938 Index Illustrations The Galerie Vivienne, Paris, 1907 Walter Benjamin at the Bibliotheque Nationale, 1937 Honore Daumier, La Crinoline en temps de neige The Kaiser Wilhelm Bridge, Berlin, early twentieth century The Victory Column on Konigsplatz, Berlin, early twentieth century The goldfish pond in the Tiergarten, Berlin, early twentieth century Berlin's Tiergarten in winter, early twentieth century Market hall on Magdeburger Platz, 1899 Interior of a typical middle-class German home, late nineteenth century Courtyard on Fischerstrasse in Old Berlin, early twentieth century Walter Benjamin and his brother Georg, ca. 1902

This latest volume of Harvard's majestic annotated edition of the essays and fragments includes reflections on Brecht, Kafka and the collector Eduard Fuchs, an early version of the famous analysis of art in the age of mechanical reproduction (here more accurately translated as "technological reproducibility") and the equally exhilarating inquiry into the nature of narrative, "The Storyteller." You feel smarter just holding this book in your hand.