This book fundamentally rewrites the cultural and religious history of North Africa under the Roman Empire, focalized through rituals related to child sacrifice and the carved-stone monuments associated with such offerings. Earlier colonial archaeologies have stressed the failure of the empire to 'Romanize' Indigenous and Punic settler populations, mobilizing inscriptions and sculpture to mirror and explain modern European colonial failures as the result of ethnic African permanence. Instead, this book uses postcolonial theory, pragmatic semiotics, material epistemologies, and relational ontologies to develop a new account of how Roman hegemony transformed and was reproduced through signifying practices in even a seemingly traditional, 'un-Roman' rite such as child sacrifice. In doing so, the book offers a model for understanding the Roman Empire, the peoples who lived across its provinces, and their material worlds.
Les mer
List of figures; Acknowledgments; Abbreviations; Part I. Colonial Histories: 1. Colonial traditions; 2. Historicizing stelae and sanctuaries; Part II. Themes in the Making of Hegemony: 3. Making Africa with Punic signs; 4. Making a God; 5. Making sanctuary communities; 6. Making children subjects of empire; 7. Making offerings; 8. Remaking spaces and societies; 9. Making empire: signs, stelae, and traditions; Appendix 1. Dating stele-sanctuaries; Appendix 2. Concordance of ancient/modern place names; References; Index.
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Decolonizes Roman provincial archaeologies and histories by showing how empire reshaped rites related to child sacrifice in Roman Africa.

Produktdetaljer

ISBN
9781107020184
Publisert
2024-11-07
Utgiver
Vendor
Cambridge University Press
Vekt
990 gr
Høyde
250 mm
Bredde
176 mm
Dybde
31 mm
Aldersnivå
UP, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
482

Biographical note

Matthew M. McCarty is Assistant Professor of Roman Archaeology at the University of British Columbia. He has directed the Apulum Roman Villa Project and the Apulum Mithraeum III Project, funded by the Social Sciences and Humanities Research Council of Canada, for which he won the Mary White Prize from the Classical Association of Canada.