Gender and Creative Labour presents a collection of readings that reflect the latest research related to employment positions in a range of creative industries to show the gender implications of creative labour under contemporary neoliberal economic policies.

Series editor s acknowledgements Acknowledgements Part 1: Introduction Gender and creative labour Bridget Conor, Rosalind Gill and Stephanie Taylor Part 2: Sexism, segregation and gender roles Sex, gender and work segregation in the cultural industries David Hesmondhalgh and Sarah Baker Unmanageable inequalities: sexism in the film industry Deborah Jones and Judith K. Pringle Part 3: Flexibility and informality Getting in, getting on, getting out? Women as career scramblers in the UK film and television industries Leung Wing-Fai, Rosalind Gill and Keith Randle Labile labour gender, flexibility and creative work George Morgan and Pariece Nelligan Birds of a feather: informal recruitment practices and gendered outcomes for screenwriting work in the UK film industry Natalie Wreyford Part 4: Image-making and representation Blowing your own trumpet: exploring the gendered dynamics of self-promotion in the classical music profession Christina Scharff Egotist , masochist , supplicant : Charlie and Donald Kaufman and the gendered screenwriter as creative worker Bridget Conor Genre anxiety: women travel writers experience of work Ana Alacovska The heroic body: toughness, femininity and the stunt double Miranda J. Banks and Lauren Steimer Part 5: Boundary-crossing When Adam blogs: cultural work and the gender division of labour in Utopia Ursula Huws A new mystique?Working for yourself in the neoliberal economy Stephanie Taylor Hungry for the job: gender, unpaid internships, and the creative industries Leslie Regan Shade and Jenna Jacobson Notes on contributors Index